This book looks at early modern representations, both pictorial and literary, of the animals surrounding Adam and Eve in the Garden of Eden at the dramatic moment of the Fall. Beginning with Albrecht Dürer's engraving Adam and Eve (1504) and ending with Rembrandt's etching Adam and Eve (1637), it explores the many manifestations of this theme at the intersection of painting, literature, and natural history. Artists such as Lucas Cranach and Jan Brueghel, and poets such as Guillaume Du Bartas and Joost van den Vondel, as well as many others, mainly from Germany and the Netherlands, are discussed.
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This book is about early modern representations of the animals surrounding Adam and Eve at the moment of the Fall. Beginning with Dürer and ending with Rembrandt, it considers the many manifestations of this theme at the intersection of painting, literature, and natural history.
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Preface and Acknowledgements
List of Illustrations
Abbreviations
Introduction
1 Reading and Painting God’s Book of Words and Book of Nature
1 Animals in Genesis
2 Biblical Typology
3 Early Modern Natural History – Conrad Gessner
4 Sympathy and Antipathy
5 The Four Elements
6 Physiologus and Bestiaries
7 Illustrated Fable Books and the Gheeraerts Filiation
8 Imitation
2 Rereading Dürer’s Representations of the Fall of Man
1 Introduction
2 Serpent, Stag, and Lion in Dürer’s 1510 Drawing
3 The Animals in the 1504 Print
4 Badger and Bison in the 1510 Woodcut
5 Conclusion
3 Cranach’s Animals
1 Cranach’s 1509 Woodcut
2 The 1526 Courtauld Painting
3 A Lesser Known Adam and Eve
4 Conclusion
4 Simon de Myle: Bible, Fable, and Natural History
1 Imitating Gheeraerts and Gessner
2 De Myle as Critical Imitator of Gheeraerts
3 De Myle Reading Gessner
4 Arrangement of Animals
5 In Conclusion: Metapictorial Reflections
Appendix
5 Cornelis van Haarlem: Eden’s Animals in Aesopian Perspective
6 Du Bartas’ Fifth Day: Birds in the Perspective of Natural History and Biblic’al Typology
1 Du Bartas, His Semaines and Their Afterlife
2 Du Bartas: Natural History
3 Ordering and Antipathy
4 The Birds in the Seconde Semaine
5 Maerten de Vos and the Fifth Day
7 Jan Brueghel the Elder’s First Paradise Landscape (1594)
1 Imitating Bassano Differentially
2 Sympathy and Antipathy
3 The Aesopian Connection
4 Natural History
5 Conclusion
8 Sympathy in Eden: On Paradise with the Fall of Man by Rubens and Brueghel
1 A Multitude of Diverse Animals
2 Rubens’ Red Creatures
3 The Other Animals around Adam and Eve
4 Other Animals
5 The White Animals in the Distance
6 Conclusions
Appendix
9 Eden’s Animals in Rembrandt and Vondel
1 Rembrandt’s Dragon and Elephant
2 Vondel’s Dragon
3 Sympathy and Antipathy in Adam in ballingschap
4 Conclusion
10 By Way of Conclusion: Lines of Imitation and the Animal Turn
1 Wtewael’s Eden
2 An Animal Turn in Eden?
General Bibliography
Index nominum
Index of Animals
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Produktdetaljer
ISBN
9789004184602
Publisert
2025
Utgiver
Brill
Høyde
235 mm
Bredde
155 mm
Dybde
19 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Forfatter