This smart, well-written book will attract a wide audience through its seamless grafting of literary history, material culture, and museum studies. Highly recommended. All readers.

M. Frank, University of Massachusetts Lowell, CHOICE

...an engaging journey through Authorland in nine chapters... her [Watson's] writing has the capacity to make us think on more detailed ways about the institutions of literary tourism

Bill Bell, Literary Review

Watson is an assured and intuitive guide to the perhaps slightly introspective world of the writer's house museum. She knows the literature well (there are 92 pages of notes and bibliography to 231 pages of text) and her awareness of critical theory does not come at the cost of clarity of expression. It is a broad-ranging, thoughtful and informative book.

Stephen Clarke, The Johnsonian News Letter

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The Author's Effects engagingly insists that we attend to the presence and particularity of its examples, that we share Watson's fascination with the ability of each to "effect" the author it evokes.

LuAnn McCracken Fletcher, Cedar Crest College , Review 19

The Author's Effects: On the Writer's House Museum is the first book to describe how the writer's house museum came into being as a widespread cultural phenomenon across Britain, Europe, and North America. Exploring the ways that authorship has been mythologised through the conventions of the writer's house museum, The Author's Effects anatomises the how and why of the emergence, establishment, and endurance of popular notions of authorship in relation to creativity. It traces how and why the writer's bodily remains, possessions, and spaces came to be treasured in the late eighteenth and nineteenth centuries, as a prelude to the appearance of formal writer's house museums. It ransacks more than 100 museums and archives to tell the stories of celebrated and paradigmatic relics—Burns' skull, Keats' hair, Petrarch's cat, Poe's raven, Brontë's bonnet, Dickinson's dress, Shakespeare's chair, Austen's desk, Woolf's spectacles, Hawthorne's window, Freud's mirror, Johnson's coffee-pot and Bulgakov's stove, amongst many others. It investigates houses within which nineteenth-century writers mythologised themselves and their work—Thoreau's cabin and Dumas' tower, Scott's Abbotsford and Irving's Sunnyside. And it tracks literary tourists of the past to such long-celebrated literary homes as Petrarch's Arquà, Rousseau's Ile St Pierre, and Shakespeare's Stratford to find out what they thought and felt and did, discovering deep continuities with the redevelopment of Shakespeare's New Place for 2016.
Les mer
A fascinating account of the emergence of the writer's house museum over the course of the nineteenth century in Britain, Europe, and North America. It considers the museum as a cultural form and asks why it appeared and how it has constructed authorial afterlife for readers individually and collectively.
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Introduction 1: Remains: Burns' skull and Keats' hair 2: Bodies: Petrarch's cat and Poe's Raven 3: Clothing: Brontë's bonnet and Dickinson's dress 4: Furniture: Shakespeare's chair and Austen's desk 5: Household Effects: Johnson's coffee-pot and Twain's effigy 6: Glass: Woolf's spectacles and Freud's mirror 7: Outhouses: Thoreau's cabin and Dumas' prison 8: Enchanted Ground: Scott's Abbotsford, Irving's Sunnyside, Shakespeare's New Place 9: Exit through the Gift-shop
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Nicola J. Watson trained at Oxford and held posts at Oxford, Harvard, Northwestern, and Indiana Universities before taking up a position at the Open University. A specialist in the literature and culture of the Romantic period, her research focusses on authorial afterlives and the associated histories of literary tourism, literary commemoration, and the literary museum.
Les mer
The only book about the emergence of the writer's house museum as a distinct cultural formation and convention Considers the writer's house museum as a form of literary biography crucial to the construction and maintenance of authorial celebrity Explores how imaginative literature has produced the celebrity of physical objects and places Generously illustrated throughout
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Produktdetaljer

ISBN
9780198883548
Publisert
2023
Utgiver
Oxford University Press
Vekt
542 gr
Høyde
234 mm
Bredde
157 mm
Dybde
18 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
352

Forfatter

Biografisk notat

Nicola J. Watson trained at Oxford and held posts at Oxford, Harvard, Northwestern, and Indiana Universities before taking up a position at the Open University. A specialist in the literature and culture of the Romantic period, her research focusses on authorial afterlives and the associated histories of literary tourism, literary commemoration, and the literary museum.