This psychologically sensitive and fascinating study of the lives of eight selected composers must be acclaimed as a significant contribution to our understanding of the history of the Third Reich ... recommended reading.

Bulletin of the German Historical Institute

With the accuracy of a detective, Kater goes in search of the slightest clues that could throw light on each artist's degree of involvement with the Third Reich. At the same time he lets the reader participate in this search for evidence and in the difficult and often ambivalent assessment of each individual when it comes to guilt or responsibility in dealings with the regime.

Bulletin of the German Historical Institute

One of the merits of this book is the way in which it brings to light the fine differences in the attitudes of these composers towards the Third Reich and how they and their music were regarded by the Nazi ruling class, whilst refraining from black-and-white depictions and generalizations.

Bulletin of the German Historical Institute

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A very impressive achievement - for two reasons above all. First, the range of Kater's research and documentation is awe-inspiring. Second, Kater sets out neither to canonise or to demonise ... Ultimately, this is a book which provokes thoughts rather than spelling them out ... Kater doesn't offer answers, but after reading his book, we can at least see the questions more clearly.

Stephen Johnson, BBC Music Magazine

Kater's background knowledge is impressive, and he refuses to oversimplify of to make facile judgements ... well worth reading.

David Matthews, Times Literary Supplement.

How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? The final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), this is a detailed study of the often interrelated careers of eight outstanding German composers who lived and worked amid the dictatorship of the Third Reich: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Noted historian Michael H. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime--and if so, whether this is evident in their music. He also considers the degrees to which the Nazis politically, socially, economically, and aesthetically succeeded in their treatment of these individuals, whose lives and compositions represent diverse responses to totalitarianism.
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How does creativity thrive in the face of fascism? How can an artistic individual function professionally in so threatening a climate? This text provides a detailed study of the often interrelated careers of eight outstanding German composers who lived and worked amid the Third Reich.
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Preface ; Werner Egk: The Enigmatic Optimist ; Paul Hindemith: The Reluctant Emigre ; Kurt Weill: A Survivor on Two Continents ; Karl Amadeus Hartmann: The Composer as Dissident ; Carl Orff: Man of Legend ; Hans Pfitzner: Magister Teutonicus Miser ; Arnold Schoenberg: Musician of Contrasts ; Richard Strauss: Jupiter Compromised ; Conclusion ; Notes ; Index
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"With this volume, Kater has completed a remarkable trilogy of books about music during the Nazi era....Kater...is rigorous in his attention to detail; his research is up-to-date, and his conclusions are persuasive. This book--indead, the entire trilogy--should be a part of every collection."--Library Journal "Michael Kater's new book, the third and best of his studies of German music during the Third Reich, examines the fortunes, in the Nazi and first postwar years, of eight composers: Werner Egk, Paul Hindemith, Kurt Weill, Carl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Based upon a staggering amount of original research, it is endlessly informative."--Gordon A. Craig, Stanford University "Congratulations to Michael Kater for resisting the usual black-or-white temptation and casting his portraits in a wide, and therefore illuminating, spectrum of greys."--Richard Taruskin, University of California, Berkeley "A judicious, exceptionally informative study of eight composers, who were victims, accomplices, and sometimes both, of the Third Reich."--Peter Paret, Institute for Advanced Study, Princeton
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Here are the lives and works of eight remarkable German musical artists, and eight compelling responses to the nightmare that was the Third Reich The final book in an unprecedented and highly acclaimed trilogy on the music and musicians of Nazi Germany
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Michael H. Kater is Distinguished Research Professor of History at the Centre for German and European Studies, York University, Toronto. He has published widely on modern Germany and is a Guggenheim Fellow as well as a Fellow of the Royal Society of Canada.
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Here are the lives and works of eight remarkable German musical artists, and eight compelling responses to the nightmare that was the Third Reich The final book in an unprecedented and highly acclaimed trilogy on the music and musicians of Nazi Germany
Les mer

Produktdetaljer

ISBN
9780195099249
Publisert
2000
Utgiver
Oxford University Press Inc
Vekt
821 gr
Høyde
237 mm
Bredde
161 mm
Dybde
31 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
416

Forfatter

Biografisk notat

Michael H. Kater is Distinguished Research Professor of History at the Centre for German and European Studies, York University, Toronto. He has published widely on several historical subjects, and is a Guggenheim Fellow and a Fellow of the Royal Society of Canada.