Landscape architecture and garden-making have witnessed huge changes during the twentieth-century, and the impact of these will continue to be discussed and interpreted in the twenty-first.
New materials and responses to different social conditions, along with new attitudes to how gardens are perceived and interpreted and above all the relationship of built work to the larger landscape of territory and society - all have challenged long-held practices of garden-making, even while those same traditions continue to be at the center of both designers and users.
A Cultural History of Gardens in the Modern Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.
Introduction
1. Design: On the (Continuing) Uses of the Arbitrary, Anita Berrizbeitia, Graduate School of Design, Harvard University, USA
2. Types of Garden, Peter Jacobs, University of Montreal, Canada
3. Plantings, Dennis McGlade, independent scholar and Laurie Olin, University of Pennsylvania, USA
4. Use and Reception, Udo Weilacher, Technical University of Munich, Germany
5. Meaning, John Dixon Hunt, University of Pennsylvania, USA
6. Verbal Representations, Michael Leslie, Rhodes College, USA
7. Visual Representations, Michael Jakob, Grenoble University, France
8. Gardens and the Larger Landscape, David Leatherbarrow, University of Pennsylvania, USA
The Cultural Histories are multi-volume sets that survey the social and cultural construction of specific subjects across six historical periods, broadly:
- Antiquity
- The Medieval Age
- The Early Modern Age
- The Age of Enlightenment
- The Age of Empire
- The Modern Age
The subjects covered range from Animals to Dress and Fashion, from Sport to Furniture, from Money to Fairy Tales. Each volume discusses the same themes in its chapters so that readers may gain an understanding of a period by reading an entire volume, or follow a theme through history by reading the relevant chapter in each volume. Each six-volume set is illustrated.
Titles are available as printed sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library available to institutions by annual subscription or perpetual access (see www.bloomsburyculturalhistory.com).
PRAISE FOR THE SERIES
A Cultural History of Dress and Fashion
“Intriguing, surprising, and thought-provoking essays covering many cultural layers of dress history.”
CHOICE
A Cultural History of Fairy Tales
“A comprehensive treatise that belongs in every academic library concerned with a form of literature that has had broad appeal for centuries and continues to do so.”
CHOICE
A Cultural History of Hair
“A thick, tangled and deliciously idiosyncratic history of hair.”
Times Literary Supplement
A Cultural History of Law
“These introductions should be of great use to scholars from across the periods.”
Law & Literature
A Cultural History of Peace
“The set is a good introduction to the study of peace and encourages looking at world history in a new way.”
CHOICE
A Cultural History of Theatre
“All six volumes are aesthetically attractive, with well-chosen cover illustrations in color and numerous halftones throughout. Page layouts with wide margins, good paper, subtitles, generous bibliographies, notes, and index all add to the appeal.”
CHOICE
A Cultural History of Tragedy
“A highly contemporary work, alert to politics, social theory and sexuality.”
London Review of Books
A Cultural History of Western Empires
“Students seeking a comparative, interdisciplinary, and compelling account of the spread of Western empires will find much of interest here.”
CHOICE
A Cultural History of Work
“[Programs] such as economics, American and world history, women’s studies, and art history will benefit from the information herein.”
American Reference Books Annual