[Elizabeth Bowen: Theory,Thought and Things] will surely come to be recognized as an indispensable volume for Bowen scholars.

- Maureen O’Connor, University College Cork, Irish University Review

This state-of-the-art collection of high-powered critical essays secures Elizabeth Bowen’s position at the forefront of twentieth-century fiction. Resisting the tendency to pigeonhole her as a modernist, postmodernist or neo-realist, the contributors show how Bowen’s startling originality puts such lifeless categories into question.

Maud Ellmann, University of Chicago

Explores Elizabeth Bowen’s significant contribution to twentieth-century literary theory Provides new avenues for research in Bowen studies in ways that are concerned primarily with Bowen’s perception of writing and narrativeMoves away from perceptions of Bowen’s writing tied to existing ideological categories, such as viewing her work through a lens of psychoanalysis, modernism, or Irish or British history and which emphasise Bowen’s innovation not as central to our understanding of the changes happening in twentieth-century literature and history, but as instead a point of ‘difficulty’Recognises Bowen’s innovation, experimentation and her impact on her contemporaries and literary descendants From experiments in language and identity to innovations in the novel, the short story and life narratives, the contributors discuss the way in which Bowen’s work straddles, informs and defies the existing definitions of modernist and postmodernist literature which dominate twentieth-century writing. The eleven chapters present new scholarship on Bowen’s inventiveness and unique writing style and attachment to objects, covering topics such as queer adolescents, housekeeping, female fetishism, habit and new technologies such as the telephone.
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From experiments in language and identity to innovations in the novel, the short story and life narratives, the contributors discuss the way in which Bowen’s work straddles, informs and defies the existing definitions of modernist and postmodernist literature which dominate twentieth-century writing.
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Acknowledgements Introduction Thinking in/about Bowen - Jessica Gildersleeve and Patricia Juliana Smith Chapter 1 How to Be Yourself – But Not Eccentric: Clothes, Style and Self in Bowen’s Short Fiction - Aimee Gasston Chapter 2 Elizabeth Bowen: Surrealist - Keri Walsh Chapter 3 Elizabeth Bowen and the Pleasure of the Text - Jessica Gildersleeve Chapter 4 Obnoxiousness and Elizabeth Bowen’s Queer Adolescents - Renée C. Hoogland Chapter 5 Tender Ties: Elizabeth Bowen and Habit - Ulrika Maude Chapter 6 ‘One is Somehow Suspended’: Elizabeth Bowen, Katherine Mansfield, and the Spaces in Between - Emma Short Chapter 7 ‘How Much of Nothing There Was’: Trying (Not) to Understand Elizabeth Bowen - Damien Tarnopolsky Chapter 8 Bowen’s Recesses: From Realism to Inter-Objectivity - Laurie Johnson Chapter 9 ‘Some Really Raging Peculiarity’: Female Fetishism The Little Girls - Patricia Juliana Smith Chapter 10 Housekeeping and the Fiction of Subjectivity in Eva Trout - Jasmin Kelaita Chapter 11 Elizabeth Bowen on the Telephone - Andrew Bennett Notes on Contributors
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Provides new avenues for research in Bowen studies in ways that are concerned primarily with Bowen’s perception of writing and narrative

Produktdetaljer

ISBN
9781474458641
Publisert
2019-10-14
Utgiver
Edinburgh University Press
Vekt
474 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet

Biografisk notat

Jessica Gildersleeve is Associate Professor of English Literature at the University of Southern Queensland. She is the author of Christos Tsiolkas: The Utopian Vision (2017), Don’t Look Now (2017), and Elizabeth Bowen and the Writing of Trauma: The Ethics of Survival (2014), and editor of Memory and the Wars on Terror: Australian and British Perspectives (with Richard Gehrmann, 2017). Patricia Juliana Smith is Associate Professor of English at Hofstra University in New York. She is the author of Lesbian Panic: Homoeroticism in Modern British Women’s Fiction. She has edited books and published articles on a variety of topics, including literature, popular culture, cinema, opera, religion, modernism and queer studies.