<p><strong>'This definitive new encyclopedia provides an essential reference tool...This work represents a long-awaited accumulation of knowledge on the international emergence of cinema. Highly recommended for all reference collections.'</strong> - <em>Choice</em> </p><p><strong>'This encyclopedia will be a valuable resource in larger academic and public libraries and other institutions that are developing comprehensive collections related to film studies.'</strong> - <em>Booklist</em>, </p><p><strong>'It's a great pleasure to report that such an <em>Encyclopedia</em> has now been published, and that the job has been uncommonly well done ... both for the newcomer and for the specialist, the <em>Encyclopedia of Early Cinema</em> is highly recommended ... this is a book that deserves a place on virtually any film enthusiast's bookshelf.'</strong><em> - Nineteenth Century Theatre & Film</em></p><p><strong>'this is a unique reference that will be welcomed by serious students of film history'--</strong> <em>Reference Reviews</em></p>

<p><strong>'A unique reference that will be welcomed by serious students of film history. It is a fascinating story and this reference will help students and other interested readers explore its full scope.'</strong> - <em>Against the Grain</em></p><p><strong>'This definitive new encyclopedia provides an essential reference tool...This work represents a long-awaited accumulation of knowledge on the international emergence of cinema. Highly recommended for all reference collections.'</strong> - <em>Choice</em> </p><p><strong>'It's a great pleasure to report that such an <em>Encyclopedia</em> has now been published, and that the job has been uncommonly well done ... both for the newcomer and for the specialist, the <em>Encyclopedia of Early Cinema</em> is highly recommended ... this is a book that deserves a place on virtually any film enthusiast's bookshelf.'</strong><em> - Nineteenth Century Theatre & Film</em></p>

This encyclopedia presents a wealth of information on early cinema history, with coverage of the techniques and equipment of film production, profiles of the pioneering directors and producers, analysis of individual films and the rapid growth of distinct film genres, and the emergence of something the world had never seen before - the movie star.

The work also focuses on how the nature of film exhibition changed as the industry grew, and how the public's reception to films also changed. The pre-cinema period is closely examined to show those mass-cultural forms and practices - such as music hall and vaudeville - from within which cinema was to emerge.

A perfect companion for any student of early cinema and film studies.

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This major A-Z work explores the first twenty-five years of cinema's development, and presents a wealth of information on early cinema history, techniques and equipment, pioneering directors, producers, individual films and the rapid growth of the movie star.
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access; Acres, Birt; acting styles; actualités; Addams, Jane; advertising; advertising films; Africa, Belgian; Africa, French; Africa, German colonies; Agence cinématographique générale; Agence Générale Cinématographique (AGC); AGFA; Aiken, Harry; Aikens, Fred C.; airdomes; AKGT/PAGU; Alberini, Filoteo; Alpha Trading Company; Altenloh, Emilie; Alva Brothers; amateur films; Ambrosio, Arturo; American Biograph (France); American Film Co.; American Mutoscope and Biograph; Amet, Edward; amplifiers; amusement parks; Anderson, G. M.; Andréani, André; Andreyor, Yvette; Andriot, (Camille-) Josette; animal pictures; animation; Ankerstjerne, Johan; Anschütz, Ottomar; Aquila; archaeology of cinema/pre-cinema; Arche, Alto; archives; Argentina; Arguillière, Alexandre; Armat, Thomas; Arnaud, Etienne; Asia Film Co.; Atelier Apollo; Aubert, Etablissements L.; Aubert, Louis; audience: issues and debates; Aurora Cinema; Australasian Films; Australia; Austro-Hungarian Empire; authentication; autorenfilm; Baggott, King; Bakshy, Alexander; Balaban, Barney & A. J.; Balkans, the (including Greece); Balshoffer, Fred; Bamforth; Barcinógrafo; Barker Film; Barker Motion Photography; Barker, Will; Barnes, Justin D.; Baron, Auguste; Bartling, Georg; Bassermann, Albert; Bauer, Evgenii; Baumann, Charles; Becce, Giuseppe; Becerril, Guillermo; Bedding, Thomas; Belge Cinéma SA (Pathé); Belgium; Belot, Charles; Benoît-Lévy, Edmond; benshi; Bergqvist, John; Bernard, Ferdinand Bon; Bernhardt, Sarah; Berst, J. A.; Bertini, Francesca; Bhatvedekar, Harishchandra; Bianchi, Joseph T.; biblical films; Billboard; Binger, Maurits Herman; Biograph; Biorama; Bioscope (British trade journal); Bioscope Company of Canada; Bitzer, Billy; black cinema, USA; Blackton, J. Stuart; Blair Film Company (USA); Blom, August; Boggs, Francis; Bolivia; Bolten-Baeckers, Heinrich; Bonine, Robert; Bonnard, Mario; Borelli, Lyda; Bos, Annie; Bosetti, Romeo; Bosworth, Hobart; Bourbon, Ernest; Bouregois, Gérard; boxing films; Brazil; Breteaux; Brézillon, Léon; British & Colonial Kinematograph (B & C); British Gaumont; British Mutoscope and Biograph; British Pathe London; Broncho Film Co.; Brown, Theodore
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Produktdetaljer

ISBN
9780415234405
Publisert
2004-12-22
Utgiver
Taylor & Francis Ltd
Vekt
1680 gr
Høyde
246 mm
Bredde
174 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
824

Redaktør

Biografisk notat

Richard Abel is director of the Graduate Certificate Program in Film and Video Studies at the University of Michigan. His essays have appeared in dozens of journals and been translated into French, German, Italian, Spanish and Dutch. Along with several of those essays, four of his books have won national or international awards. Recently he began research on a new project, Trash Twins: Moving Pictures and Newspapers in the USA, 1911-1914.