Produktdetaljer
Biografisk notat
William Phillips is an independent scholar. He has written extensively on music, technology, and culture. He is currently at New York University, writing his PhD on digital technology and music culture, where he teaches courses on media, communication, and culture. He also works on a variety of musical projects as a guitarist and producer out of his Brooklyn home recording studio. Brian Cogan is a professor who has written extensively on music and popular culture as well as music criticism. He received his PhD in media ecology in 2002 from New York University. He teaches at Molloy College and has taught at New York University and the College of Staten Island. Cogan is the author of Greenwood's Encyclopedia of Punk Music and Culture (2006).[I]nformation provided by Cogan (The Encyclopedia of Punk) and independent music scholar Phillips is enlightening and reveals the personalities driving the rise, fall, resurrection, and subsistence of profiled bands.
Library Journal
Phillips (digital technology and music culture, New York U.) and Cogan (media ecology, Molloy College) have written this encyclopedia on heavy metal to define the specific boundaries for this musical genre while being as broad and inclusive to as many performers as possible. Entries offer biographies, discographies and critical analysis of bands and solo
performers as well as books, films, festivals and record labels that are considered essential to the genre. General audiences will appreciate descriptions of sub-genres such as grindcore, grunge and death metal, and artifacts of the culture such as body piercings, leather and even the video game <i>Guitar Hero</i> are also explained.
Reference & Research Book News
We know what you are thinking, 'Oh no, another metal encyclopedia that will be inaccurate and useless'. However, this book is first of it's kind that actually works. The authors researched, they learned the metal scene and they debated on the content before deciding on including it. This work is an incredible collection of information that will be of use to the seasoned metal fan as well as the uninitiated. Written to be a college level textbook for a music class, this book is more 'grown up' than a lot of other similar works. . . . Overall, the diversity of subject matter and the bands included paint a fairly complete picture of the world of heavy metal. The authors have lived up to their introductory statement about being authentic and they have given the metal world the first truly worthwhile work of this type. <i>The Encyclopedia of Heavy Metal Music</i> delves deep into the world of metal while allowing the novice to understand what they are experiencing. We can only hope that William Phillips and Brian Cogan may one day work together again and write more on the subject that is our lives, Heavy Metal.
Metal Life Magazine
More than 350 entries ranging from several paragraphs to several pages in length provide capsulated biographies of bands and their key members and include discographies. The authors also include entries for cultural topics such as fashion and metal and Moshing and metal subgenres like Death metal and Grunge. More than 50 black-and-white images of performers and metal fans supplement the text. There are other reference books on this topic, including <i>The Guinness Book of Heavy Metal</i> (1995) and <i>The Rough Guide to Heavy Metal</i> (2005), among others, making this volume a well-researched update on the genre.
Booklist
Most notable is its inclusiveness of the artists and related topics that best embody heavy metal's broad context. The introduction alone can assist scholars with understanding the music's complexities and the elements informing its practitioners. . . . Band entries conclude with complete discographies that enumerate an artist's creative output, followed by a list of compilation releases (i.e., greatest hits)--a beneficial approach for comprehending a band's body of work. Summing Up: Recommended. Lower-division undergraduates and above; general readers.
Choice