<p>“Loren Graham's long career as a historian of science and technology in Russia and the Soviet Union had enormous influence on the way scholars understand the development of scientific thought and scientific innovation in autocratic societies. Through his large body of published work and his training of several generations of students, he shaped the whole way experts nowadays think about these subjects. Of particular importance, Graham explained how, even when living under conditions of stifling repression and murderous state violence, Russian and Soviet mathematicians, physicists, chemists, and engineers managed to achieve great strides in scientific research and technological adaptation.” — Mark Kramer, Director of Cold War Studies and Senior Fellow, Davis Center for Russian and Eurasian Studies, Harvard University</p>
<p>“Celebrated as the ‘dean of the history of Russian and Soviet science,’ Loren Graham generously shared his insights with generations of students—including myself, to my great good fortune. For him, history is an enigma that calls for paradoxical answers. His writing challenges stereotypes, sparks debate, and inspires further inquiry. The hallmarks of his scholarship—its extraordinary breadth and boldness of argument—are vividly displayed in this book.” — Slava Gerovitch, MIT, author of <em>From Newspeak to Cyberspeak </em>and <em>Soviet Space Mythologies</em></p>

Why do some creations flourish while others fade into obscurity?
In Fame or Oblivion? the author makes a provocative thesis: that Russian society has historically nurtured literary and artistic genius while stifling technological innovation. Based on the tools of cultural and historical analysis, the book examines how social patterns, economic systems, and institutional support—or lack thereof—influence the outcomes of creative achievements.
From the enduring heritage of Tolstoy and Tchaikovsky to the forgotten names of the inventors of early computers and lasers, this work put into contrast Russia’s world's known contributions to literature, music, and mathematics with its underrecognized pioneers in science and technology. It argues that invention does not exist per se, but requires a huge environment of support, investment, and societal readiness.
Though rooted in Russian history, the book offers a universal lens—inviting readers to reflect on the correlation between genius and recognition, and to consider how societies can better harness the full spectrum of human ingenuity.

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Preface: Discussions of Creativity and Politics

Introduction

1. Alexander Pushkin: How Repression Helped a Great Poet Create

2. Nikolai Lobachevsky: Anonymity Promoted Geometry

3. Nikolai Gogol: Winning Fame by Being an Enigma

4. Pavel Shilling: How the Environment Thwarted Technical Creativity

5. Ivan Turgenev: Moderation in Creativity Is Misunderstood

6. Fyodor Dostoevsky: Prison Time Provokes Literary Creativity

7. Pavel Yablochkov: Success Abroad Doesn’t Help Creativity at Home

8. Nikolai Leskov: Praising Technology for the Wrong Reason

9. Alexander Lodygin: Why a Russian Lightbulb before Edison’s Didn’t Succeed

10. Modest Mussorgsky: Attempts at Unique Russian Music

11. Sofia Kovalevskaia: A Woman’s Tortured Path to Success

12. Dmitry Mendeleev: The Advantages of Backwardness

13. Nikolai Rimsky-Korsakov: An Amateur Becomes a Professional

14. Borodin and Morse: Chemistry, Music, Art, and Technology

15. Lev Tolstoy: Guilt Boosts Creativity

16. Petr Tchaikovsky: Great Music in Anguis

17. Anna Akhmatova: Fame and Oblivion

18. Russian Mathematics Reaches for Glory, and Helps Literature

19. Isaac Babel: Seduction and Violence Win Fame

20. Maxim Gorky: The Frustrated Transformist

21. Nadezhda Mandelstam: Oppression Nurtures Fame

22. Rozing and Zvorykin: Forgotten Inventors of Television

23. Vladimir Mayakovsky: Revolution Promotes then Demotes Creativity

24. Sergei Eisenstein: Fame and Oblivion Again

25. Sergei Prokofiev: Pleasing Soviet Ideologues Wasn’t Always Bad

26. Sergei Lebedev: Pioneering Creativity Followed by Routine Imitation

27. Dmitrii Lopatkin: Frustrated Engineers Object

28. Mikhail Sholokhov: From Creativity to Orthodoxy

29. A Hidden Side of Technological Achievements

30. Boris Pasternak: Preservation of Intelligentsia Values

31. Lev Landau: Enfant Terrible and Giant

32. Alexander Solzhenitsyn: The Conventional Rebel

33. Creativity in a Prison

34. Sinyavsky and Daniel: Benefitting from Persecution

35. Andrei Sakharov: Rationality, Morality, and Irrationality

36. How Much Has Changed? Art and Technology Try to Escape

37. Zhores Alferov: New Transistors Do Not Help

38. Grigori Perelman: The Genius as Caricature

39. Svetlana Aleksievich: The Undesired Witness

40. Computer Programming and Hacking

41. Putin as Arbiter of All Things

42. Concluding Analysis

Bibliography

Index

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Why have Russians produced such brilliant and famous works in literature, music, and the arts, and yet so few internationally known works in other areas of creative activity, such as commercial technology? This book is an attempt to explain these striking differences, as well as the surprising effects of repression and censorship on the success of creative endeavors.
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Produktdetaljer

ISBN
9798887198231
Publisert
2025-10-02
Utgiver
Academic Studies Press
Høyde
203 mm
Bredde
127 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
304

Forfatter

Biografisk notat

Loren R. Graham was an acclaimed author and one of the world’s foremost experts on the history of science and technology in Russia and the Soviet Union. Loren spent the bulk of his academic career—more than three decades—as a professor at MIT in the Program in Science, Technology, and Society (STS), while also holding a joint appointment at the Davis Center at Harvard University.