Acknowledgements Abbreviations Introduction: Thinking Sideways through One’s Sisters Christine Froula CRITICISM Powers of Disgust: Katherine Mansfield and Virginia Woolf Maud Ellmann Together and Apart Maria DiBattista Seated between ‘Geniuses’: Conrad Aiken’s Imaginative and Critical Responses to Katherine Mansfield and Virginia Woolf Sydney Janet Kaplan Katherine’s SecretsChristine Froula A Conversation Set to Flowers: Beyond the Origins of Kew Gardens Karina Jakubowicz ‘roses blooming under glass; lips cut with a knife’: Hermeneutics of the Modern Female Face in Woolf and Mansfield Halyna ChumakThe Fly and the Displaced Self: Affective Potential in the Epiphanic Moments of Mansfield, Woolf, and Lawrence Cheryl HindrichsDangerous Reading in Mansfield’s Stories and Woolf’s ‘The Fisherman and His Wife’ Brian Richardson CREATIVE WRITING Talk Ali Smith: Getting Virginia Woolf's Goat Play Barbara Egel: The Point of ‘Slater’s Pins’: An Introduction Barbara Egel: Virginia Woolf's ‘Moments of Being: "Slater’s Pins Have No Points"’: A Dramatic Adaptation Poems Jackie Jones: ‘Katherine Mansfield’s Heirlooms’Maggie Rainey-Smith: ‘How too weird’ CRITICAL MISCELLANY ‘Not the kind to die’: Katherine Mansfield and the Unquiet Ghost of ‘little brother’J. Lawrence Mitchell REVIEW ESSAY ‘Which of my many […] hundreds of selves?’ Extending Mansfield’s Posthumous Literary ReputationClaire Drewery Notes on Contributors Index