"Marc Nichanian gives us the most extensive account of philology to date - by which I mean that he calls it to account as no one else has as of yet. He identifies philology as the foundational discourse that, hardly limited to the academy, instituted the "order of things" within which we live and think still. Philology's role was memorably traced by Foucault, while Edward Said crucially implicated it in the history of colonial rule. Nichanian expands on both, and he does so by restoring religion to its place. More important, whereas Foucault and Said saw literature as the site of a possible breach of philology's hold, Nichanian demonstrates the more complex, indeed, essential link between the aesthetic and the religious. Finally, by placing mourning at the center of these distinct discursive spheres, Nichanian brings together the emerging discourses and practices of "art, religion and philology," archaeology, ethnography and literature, nationalism and colonialism. He thereby recasts our entire understanding of modernity as the impossibility of mourning. This extraordinary book, subtly argued, wonderfully organized, and impeccably translated, will no doubt appeal to scholars of literature, philosophy and religion." -- -Gil Anidjar Columbia University

"Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?
Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora

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This book offers a monograph on the work of the Armenian poet Daniel Varuzhan (1884-1915), preceded by a general account of how Armenian national philology unfolded in the 19th century, under the influence of European orientalist philology and its two main inventions: the native and mythological religion.
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A Note on Transliteration Introduction. Art, Religion, and Philology (Translated by G. M. Goshgarian) Part I. "The Seal of Silence" (Translated by G. M. Goshgarian) 1. Variants and Facets of the Literary erection 2. Abovean and the Birth of the Native 3. Orientalism and Neo-archeology Part II. Daniel Varuzhan: The End of Religion (Translated by Jeff Fort) 4. The Disaster of the Native 5. The Other Scene of Representation 6. Erection and Self-Sacrifice 7. The Mourning of Religion I 8. The Mourning of Religion II Epilogue. Nietzsche in Armenian Literature at the Turn of the Twentieth Century (Translated by G. M. Goshgarian) Appendices: Translations 1. Philology and Ethnography in the Nineteenth Century (Translated by G. M. Goshgarian) 2. Constant Zarian: Essays in Mehyan and Other Writings (Translated by G. M. Goshgarian) 3. Daniel Varuzhan: Poems and Prose (Translated by G. M. Goshgarian, Nanor Kebranian, and Lena Takvorian) Notes Bibliography Index
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Marc Nichanian gives us the most extensive account of philology to date – by which I mean that he calls it to account as no one else has as of yet. He identifies philology as the foundational discourse that, hardly limited to the academy, instituted the “order of things” within which we live and think still. Philology’s role was memorably traced by Foucault, while Edward Said crucially implicated it in the history of colonial rule. Nichanian expands on both, and he does so by restoring religion to its place. More important, whereas Foucault and Said saw literature as the site of a possible breach of philology’s hold, Nichanian demonstrates the more complex, indeed, essential link between the aesthetic and the religious. Finally, by placing mourning at the center of these distinct discursive spheres, Nichanian brings together the emerging discourses and practices of “art, religion and philology,” archaeology, ethnography and literature, nationalism and colonialism. He thereby recasts our entire understanding of modernity as the impossibility of mourning. This extraordinary book, subtly argued, wonderfully organized, and impeccably translated, will no doubt appeal to scholars of literature, philosophy and religion.---—Gil Anidjar, Columbia University
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Produktdetaljer

ISBN
9780823255245
Publisert
2014-02-03
Utgiver
Fordham University Press
Høyde
235 mm
Bredde
155 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
420

Forfatter

Biografisk notat

Jeff Fort is Associate Professor of French and Francophone Studies at the University of California, Davis. He is the author of The Imperative to Write (2014) and translator of more than a dozen books, by Jean Genet, Jacques Derrida, Maurice Blanchot, Jean-Luc Nancy, and others.