Reading the essays together amply demonstrates the diverse ways in which Burns's poems and songs have been reimagined in performance since the eighteenth century, from the folkloric to the operatic, the national to the global. [...] Appealing to Burns scholars, the essays will be of interest to anyone interested in authorship and adaptation, performance and legacies of any hue.

- Daniel Cook, University of Dundee, Burns Chronicle

This book is a reminder that experiencing Burns has always been as much a voice or an event as pages in a book. In our time, as in his own, Burns is encountered as recitation, on stage and screen, in speeches, preeminently as song, and in the drama and debates surrounding new discoveries and new editions. Contributors to this imaginative new interdisciplinary collection bridge the divide between performers and scholars, with readable but authoritative short essays that will spark interest in all Burnsians and open up new directions for Burns research.

Patrick Scott, University of South Carolina

This book is unashamedly aimed at a wider market than the ordinary academic volume, as it seeks to extend the impact of the research it contains, making it available to the worldwide community of Burns enthusiasts, without compromising on scholarship. Contributors have been selected not only for their academic rigour and reputation, but also because of their ability to handle their material with elegance and accessibility for the general reader. They offer fresh insights for both academic and general readers, not least through the volume’s interdisciplinary approaches, including a contribution from the great interpreter of Burns’s songs, Sheena Wellington. A key part of this volume’s attraction lies in the way it opens up fresh issues and aspects of performance and performativity and their impact on our perception of Robert Burns and his work.
Les mer
This book is unashamedly aimed at a wider market than the ordinary academic volume, as it seeks to extend the impact of the research it contains, making it available to the worldwide community of Burns enthusiasts, without compromising on scholarship.
Les mer
The Performance of BurnsIan Brown and Gerard Carruthers Performance and Print in Editions of Robert Burns in the Eighteenth and Nineteenth CenturiesJohn Burnett and Gerard Carruthers Robert Burns and TheatreJim Davis with Tracy Cattell Burns and Music HallPaul Maloney ‘To our tale’: ‘Tam o’ Shanter’ on stagePaul Maloney and Adrienne Scullion ‘O what a glorious sight’: Performing Identity and the Burns SupperRonnie Young Burns, Public Ceremonial and Civic Scotland, c.1796-c.1914Christopher Whatley Robert Burns on the Twentieth-Century StageRhona Brown Burns and FilmAlistair Braidwood Orchestral Manoeuvres: Burns on the Concert Platform 1879-1959Kirsteen McCue, Enactments and Representations of the National Bard: Burns and the Folk ContextKatherine Campbell ‘Frae my ain countrie’: Robert Burns in the archive of Jean RedpathMoira Hansen Performing the work of Robert BurnsSheena Wellington Notes on ContributorsIndex
Les mer
Examination of representation of Robert Burns and his work in a wide range of performance modes

Produktdetaljer

ISBN
9781474457149
Publisert
2021-02-16
Utgiver
Edinburgh University Press
Vekt
478 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
224

Biografisk notat

Ian Brown is Emeritus Professor in Drama at Kingston University and Honorary Senior Research Fellow in Scottish Literature at Glasgow University. He is the General Editor of The Edinburgh History of Scottish Literature (EUP: 2007) and widely published on aspects of theatre and literature. He is also a playwright and poet. Gerard Carruthers is Reader and Head of Department in Scottish Literature at the University of Glasgow. He is General Editor of the forthcoming multi-volume Oxford University Press edition of the works of Robert Burns and is Director of the Centre for Robert Burns Studies. He is also the author of Robert Burns (Northcote, 2006), editor of The Devil to Stage: Five Plays by James Bridie (ASLS, 2007), Burns: Poems (Everyman, 2006) and co-editor of Beyond Scotland: New International Contexts for Twentieth-Century Scottish Literature (Rodopi, 2004), Walter Scott's Reliquiae Trotcosienses (Edinburgh University Press, 2004) and English Romanticism and the Celtic World (Cambridge University Press, 2003).