Narrative innovation is typically seen as the domain of the avant-garde. However, techniques such as nonlinear timelines, multiple points of view, and unreliable narration have long been part of American popular culture. How did forms and styles once regarded as “difficult” become familiar to audiences?In Perplexing Plots, David Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. He shows that since the nineteenth century, detective stories and suspense thrillers have allowed ambitious storytellers to experiment with narrative. Tales of crime and mystery became a training ground where audiences learned to appreciate artifice. These genres demand a sophisticated awareness of storytelling conventions: they play games with narrative form and toy with audience expectations. Bordwell examines how writers and directors have pushed, pulled, and collaborated with their audiences to change popular storytelling. He explores the plot engineering of figures such as Raymond Chandler, Agatha Christie, Dashiell Hammett, Patricia Highsmith, Alfred Hitchcock, Dorothy Sayers, and Quentin Tarantino, and traces how mainstream storytellers and modernist experimenters influenced one another’s work. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how movies, literature, theater, and popular culture have evolved over the past century.
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David Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how popular culture has evolved over the past century.
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AcknowledgmentsIntroduction: Mass Art as Experimental StorytellingPart I1. The Art Novel Meets 1910s Formalism2. Making Confusion Satisfactory: Modernism and Other Mysteries3. Churn and Consolidation: The 1940s and AfterPart II4. The Golden Age Puzzle Plot: The Taste of the Construction5. Before the Fact: The Psychological Thriller6. Dark and Full of Blood: Hard-Boiled Detection7. The 1940s: Mysteries in Crossover Culture8. The 1940s: The Problem of Other Minds, or Just OnePart III9. The Great Detective Rewritten: Erle Stanley Gardner and Rex Stout10. Viewpoints, Narrow and Expansive: Patricia Highsmith and Ed McBain11. Donald Westlake and the Richard Stark Machine12. Tarantino, Twists, and the Persistence of Puzzles13. Gone Girls: The New Domestic ThrillerConclusion: The Power of LimitsNotesIndex
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David Bordwell has a brain I envy, one that makes connections and associations about books, film, and the arts that are breathtakingly unorthodox and exactly correct. I learned so much from reading Perplexing Plots about how crime narratives are situated in the larger literary and cinema spheres, and rejoiced in how much pleasure Bordwell's criticism provided, once more and always.
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Produktdetaljer

ISBN
9780231206594
Publisert
2023-01-17
Utgiver
Vendor
Columbia University Press
Høyde
235 mm
Bredde
156 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
512

Forfatter

Biographical note

David Bordwell is the Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin–Madison. His many books include, most recently, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling (2017), as well as the widely used textbook Film Art: An Introduction (twelfth edition, 2020). He cohosts the “Observations on Film Art” series of video essays on the Criterion Channel.