"At the present juncture of new possibilities for critical strategies, <i>Poetic Affairs: Celan, Grnbein, Brodsky</i> sheds, at times, its paradigmatic weight and achieves, beyond boundaries set by codified procedures of discourse, a fidelity to its exploration borne by succinctness of style and the confident subjectivity of informed insight . . . Eskin's book is a valuable illumination of Celan, Grnbein, and Brodsky."—James Brasfield, <i>Comparative Literature Studies</i> "Michael Eskin's study of Paul Celan, Dors Grünbein, and Joseph Brodsky is a bold experiment in biographical criticism. . . . Eskin brings new questions to translation study and persona theory by framing them as ethical practices, and any reader of Celan, Grünbein, or Brodsky will nd much to ponder and appreciate in his meticulously detailed readings of their work."—Mark Payne, <i>Modern Philology</i> "In his extraordinarily entertaining and original study <i>Poetic Affairs</i>, Michael Eskin strategically uses the Goll affair, the Livilla affair and the Brodsky affair as the concrete basis for a well-grounded analysis of the poetics of three outstanding voices of modern poetry: Paul Celan, Durs Grubein, and Joseph Brodsky . . . With <i>Poetic Affairs</i> Michael Eskin proves to be—once again—an astonishing researcher in matters of poetic dialogues, a genuine expert of literary interlocutions."—<i>Focus on German Studies</i> "This strikingly original study scrutinizes works by three modern poets responding to earlier poets in order to advance a compelling argument about the relation between the personal and public in the realm of literature. Eskin's three 'affairs' show that writing poetry is a messy business and that the richest readings take account of its constant transgression of comfortable boundaries."—Derek Attridge, University of York

Poetic Affairs deals with the complex and fascinating interface between literature and life through the prism of the lives and works of three outstanding poets: the German-Jewish poet and Holocaust survivor, Paul Celan (1920–1970); the Leningrad native, U.S. poet laureate, and Nobel Prize winner, Joseph Brodsky (1940–1996); and Germany's premier contemporary poet, Durs Grünbein (born 1962). Focusing on their poetic dialogues with such interlocutors as Shakespeare, Seneca, and Byron, respectively—veritable love affairs unfolding in and through poetry—Eskin offers unprecedented readings of Celan's, Brodsky's, and Grünbein's lives and works and discloses the ways in which poetry articulates and remains faithful to the manifold "truths"—historical, political, poetic, erotic—determining human existence.

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Presents the interface between literature and life through the prism of the lives and works of three poets: the German-Jewish poet and Holocaust survivor, Paul Celan (1920-1970); the Leningrad native, US poet laureate, and Nobel Prize winner, Joseph Brodsky (1940-1996); and, Germany's premier contemporary poet, Durs Grunbein (born 1962).
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@fmct:Contents @toc4:Acknowledgments iii Prefatory Note iii Abbreviations iii @toc2:Introduction: On Poetry, Life, Method, and Sundry Affairs 1 Chapter 1 Creative Fidelities 00 Chapter 2 From Encounter to Tryst: Celan and Shakespeare 00 Chapter 3 Metaphors of Subjectivity: Gr'nbein and the philosophers 000 Chapter 4 What's in a Name?: Brodsky and the English Muse 000 Closing Remarks 000 @toc4:Appendix: Constellations 000 Notes 000 Bibliography 000 Index 000
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Produktdetaljer

ISBN
9780804758314
Publisert
2008-02-26
Utgiver
Stanford University Press
Vekt
481 gr
Høyde
229 mm
Bredde
152 mm
Aldersnivå
UU, UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
252

Forfatter

Biografisk notat

Michael Eskin teaches German and comparative literature at Columbia
University. He is the author of Ethics and Dialogue in the Works of
Levinas, Bakhtin, Mandel'shtam, and Celan
(2000) as well as a book in German on Nabokov's version of Pushkin's Eugen Onegin (1994).