'… themes of decline have been downplayed in Romantic-period studies. [Sachs'] thorough, elegant monograph redresses this neglect … Highly recommended.' N. Birns, Choice

Anxieties about decline were a prominent feature of British public discourse in the late eighteenth and early nineteenth century. These anxieties were borne out repeatedly in books and periodicals, pamphlets and poems. Tracing the reciprocal development of Romantic-era Britain's rapidly expanding literary and market cultures through the lens of decline, Jonathan Sachs offers a fresh way of understanding British Romanticism. The book focuses on three aspects of literary experience - questions of value, the fascination with ruins, and the representation of slow time - to explore how shifting conceptions of progress and change inform a post-enlightenment sense of cultural decline. Combining close readings of Romantic literary texts with an examination of works from political economy, historical writing, classical studies, and media history the book reveals for the first time how anxieties about decline impacted literary form and shaped Romantic debates about poetry and the meaning of literature.
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Introduction; 1. From morals to measurement: scaling time, anticipating the future, and quantifying decline in Gibbon, Smith and Playfair; 2. The decline of literature: acceleration, print saturation, and media time; 3. The politics of prediction: Anna Barbauld and the ruins of London; 4. On ruins: contingency, time parallax, and 'the ruined cottage'; 5. Coleridge's slow time; 6. Fast time, slow time, deep time: the pace of romanticism.
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Offers fresh understanding of British Romanticism by exploring how anxieties about decline impacted debates about literature's form and meaning.

Produktdetaljer

ISBN
9781108420310
Publisert
2018-01-18
Utgiver
Cambridge University Press
Vekt
500 gr
Høyde
235 mm
Bredde
157 mm
Dybde
18 mm
Aldersnivå
UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
246

Forfatter

Biografisk notat

Jonathan Sachs is Professor of English at Concordia University in Montreal. He is the author of Romantic Antiquity: Rome in the British Imagination, 1789-1832 (2010) and co-author of Interacting with Print: Elements of Reading in an Age of Print Saturation (2017).