[It] not only provides the general readership with a well-rounded basis for comprehending music education policy in various regions, but it also offers music education stakeholders' perspectives regarding the meaning, value, and the importance of participating in policy development and its implementation ... This book provides comprehensive academic insights. It would be not only an entry point of readers' approach on music education policy, but also a scholastic discourse for further debate and research.

Hung-Pai Chen, Philosophy of Music Education Review

Schmidt and Colwell's Policy and the Political Life of Music Education provides a thorough introduction to many of the historical, contemporary, and global issues surrounding music education policy. Additionally, the book encourages music educators of differentiated experiences in policy to further explore new ideas not fullyextrapolated in the text.

David Potter, Michigan State University, Arts Education Policy Review

Policy and the Political Life of Music Education is the first book of its kind in the field of Music Education. It offers a far-reaching and innovative outlook, bringing together expert voices who provide a multifaceted and global set of insights into a critical arena for action today: policy. On one hand, the book helps the novice to make sense of what policy is, how it functions, and how it is discussed in various parts of the world; while on the other, it offers the experienced educator a set of critically written analyses that outline the state of the play of music education policy thinking. As policy participation remains largely underexplored in music education, the book helps to clarify to teachers how policy thinking does shape educational action and directly influences the nature, extent, and impact of our programs. The goal is to help readers understand the complexities of policy and to become better skilled in how to think, speak, and act in policy terms. The book provides new ways to understand and therefore imagine policy, approximating it to the lives of educators and highlighting its importance and impact. This is an essential read for anyone interested in change and how to better understand decision-making within music and education. Finally, this book, while aimed at the growth of music educators' knowledge-base regarding policy, also fosters 'open thinking' regarding policy as subject, helping educators straddling arts and education to recognize that policy thinking can offer creative designs for educational change.
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Policy and the Political Life of Music Education is the first book of its kind in music education. It brings together expert voices, defining a critical new arena for action in the field: policy. It is essential reading for anyone hoping to better understand the contingencies of change and decision-making.
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About the Companion Website Foreword - Peter Webster Introduction - Patrick Schmidt & Richard Colwell Part I. Policy Foundations 1. Why Policy Matters: Developing a Policy Vocabulary within Music Education, Patrick Schmidt 2. Arts Policies and their local importance: From History to Practice, Richard Colwell 3. The Context of Education Policy in the United States and the Intersection with Music Education Policy, Ross Rubenstein 4. Policy and Research Endeavours, Katherine Zeserson and Graham Welch 5. Policy and the Question of Assessment, Martin Fautley Part II. International Perspectives on Policy 6. Revisiting Bildung And Its Meaning For International Music Education Policy, Alexandra Kertz-Welzel 7. Policy and Governmental Action in Brazil, Sergio Figueiredo 8. Music Education for Both the Talented and the Masses: The Policy of Assessment-Based Reform, Mei-Ling Lai and Yao-Ting Sung 9. Curriculum as Policy: State-Level Music Curriculum Creation and Reform, Stephanie Horsley Part III. Policy in Context 10. Policy and the Lives of School Age Children, Margaret Barrett 11. Policy and the Work of the Musician/Teacher in the Community, David Myers 12. Policy, Access and Multicultural (Music) Education, Sidsel Karlsen 13. Can Music Education Policy Save American Orchestras? Alan Fletcher 14. Policy and Higher Education, Patrick M. Jones 15. K-16 Music Education in a Democratic Society, Robert A. Cutietta
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"[It] not only provides the general readership with a well-rounded basis for comprehending music education policy in various regions, but it also offers music education stakeholders' perspectives regarding the meaning, value, and the importance of participating in policy development and its implementation ... This book provides comprehensive academic insights. It would be not only an entry point of readers' approach on music education policy, but also a scholastic discourse for further debate and research." -- Hung-Pai Chen, Philosophy of Music Education Review "Schmidt and Colwell's Policy and the Political Life of Music Education provides a thorough introduction to many of the historical, contemporary, and global issues surrounding music education policy. Additionally, the book encourages music educators of differentiated experiences in policy to further explore new ideas not fullyextrapolated in the text." -- David Potter, Michigan State University, Arts Education Policy Review "Policy and the Political Life of Music Education maintains that every music educator is essential to the process and progress of policy in the United States. These writings allow each of us to become active policy makers by finding a common vocabulary for discussion, goal-setting, and decision making that will influence the quality and nature of our music programs for years to come." -- Kodaly Envoy "Policy guides and informs curriculum, thus discourse about curriculum in the academy should have as a prerequisite a course in policy. This handbook-rich, intelligent, and diverse in its offerings-should be the textbook for such a course as problems are grappled with and considered."--Betty Anne Younker, Dean, Professor of Music Education, Don Wright Faculty of Music, Western University, Canada "Policy and the Political Life of Music Education superbly illustrates how critical policy is to the field. It underscores the importance of understanding how policy is developed and implemented and how it affects both music educators and the children we teach."--Hal Abeles, Director, Program in Music and Music Education, Teachers College, Columbia University
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Selling point: Provides new ways to conceptualize and understand policy Selling point: Connects policy conceptualization and examples in the field Selling point: Presents policy in various facets from curriculum to research to legislation Selling point: Presents policy in various spaces from school to higher education to the orchestral world Selling point: Provides a rationale for policy as a significant part of the daily lives of individuals, from children, to teachers, to traditional decision-makers. Selling point: Introduces 15 new, unpublished, chapters that serve both as an introduction to the field and a way to re-imagine how we may engage with Policy. Selling point: Essential tool for educators who are experience the growing impact of policy issues on their teaching lives
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Patrick Schmidt is Chair of Music Education at Western University, Canada and co-editor of the Oxford Handbook for Social Justice and Music Education. Richard Colwell is Professor Emeritus of Music Education at the University of Illinois and the New England Conservatory of Music. He is also a Guggenheim scholar and a member of MENC's Hall of Fame.
Les mer
Selling point: Provides new ways to conceptualize and understand policy Selling point: Connects policy conceptualization and examples in the field Selling point: Presents policy in various facets from curriculum to research to legislation Selling point: Presents policy in various spaces from school to higher education to the orchestral world Selling point: Provides a rationale for policy as a significant part of the daily lives of individuals, from children, to teachers, to traditional decision-makers. Selling point: Introduces 15 new, unpublished, chapters that serve both as an introduction to the field and a way to re-imagine how we may engage with Policy. Selling point: Essential tool for educators who are experience the growing impact of policy issues on their teaching lives
Les mer

Produktdetaljer

ISBN
9780190246143
Publisert
2017-05-25
Utgiver
Oxford University Press Inc
Vekt
553 gr
Høyde
160 mm
Bredde
236 mm
Dybde
20 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
296

Biografisk notat

Patrick Schmidt is Chair of Music Education at Western University, Canada. His innovative work in policy studies, critical pedagogy, and urban music education is recognized nationally and internationally. He serves in several editorial boards and is widely published in national and international journals. Beyond his scholarly work, Schmidt led several consulting and evaluative projects including recent work for the National Young Arts Foundation, and the New World Symphony in the USA, as well as for the Ministry of Culture and Education in Chile. He co-edited the Oxford Handbook for Social Justice and Music Education. Richard Colwell is Professor Emeritus of Music Education at the University of Illinois and the New England Conservatory of Music. He is the founding editor of the Bulletin of the Council for Research in Music Education and the Quarterly Journal of Music Teaching and Learning. He is also a Guggenheim scholar and a member of MENC's Hall of Fame.