Scenography and Art History Performance Design and Visual Culture
Produktdetaljer
Biografisk notat
Astrid von Rosen is Associate Professor of Art History and Visual Studies at the University of Gothenburg, Sweden.
Viveka Kjellmer is Assistant Professor of Art History and Visual Studies at the University of Gothenburg, Sweden.
The editors of this provocative and stimulating collection of essays use the concepts of scenography and art history to mutually challenge and expand the analytic potential of each to provide important new strategies for exploring the increasingly complex world of contemporary art.
Marvin Carlson, Distinguished Professor, Theatre and Performance, CUNY, USA
The essays collected in the present volume shift the conversation with scenography away from definitions, and this opens terminology—scenography, scenographics—but also theoretical parameters. … The anthology seeks to give scenography its voice and in so doing, challenges easy boundaries between disciplines and forges new methodologies for thinking with and through scenographic agency. … <i>Scenography and Art History</i> opens its dialogue with art and its histories … at a time when reconceiving the material and imaginative encounters between times, spaces and bodies has never been more urgent and necessary.
Marsha Meskimmon, Professor of Transnational Art and Feminism, and Director of the Institute of Advanced Studies, Loughborough University, UK
A book devoted to the interfaces of scenography and art history is long overdue for numerous reasons. ... As the authors deftly argue, art history has been as ready to dismiss scenography on the same grounds that, until recently, allowed theatre and performance scholars to brush it off as purely decorative (as a practice) or vocational (as a form of thinking). The marriage of these subjects is, consequently, a welcome and exciting addition to the growing library of scenography scholarship and its many possible futures beyond theatre.
Rachel Hann, Senior Lecturer in Performance & Design, Northumbria University, UK
<i>Scenography and Art History</i> is a thrillingly multifaceted and innovative collection of cross-disciplinary case studies unlocking the potentials of scenography as an overlooked sphere, concept and phenomenon in relation to art history as well as to other aesthetic disciplines.
Andrea Kollnitz, Associate professor in Art History, Department of Culture and Aesthetics, Stockholm University, Sweden
Spatial, temporal, affective, critical, and embodied dimensions of scenographic perspectives inform this cross-disciplinary, multifaceted anthology. An unprecedented dialogue between art history and scenography, this volume is both urgent and necessary, exploring the multisensory workings that can shape culture through scenographic phenomena.
Donatella Barbieri, Senior Research Fellow and Principal Lecturer in design for performance, University of the Arts London, UK
This important study shifts our perceptions and understandings of what scenography is. It shows us how agential modes of creative practice can lead towards new theoretical frameworks and how the expanded relationality between objects, subjects, spaces, and ideas can help us forging new realities within and outside the world of art history.
Alda Terracciano, Participatory Design Consultant at The Sloane Lab (AHRC TaNC Programme), UCL Department of Information Studies, UK
The book is a very important contribution to current discussions on multisensory art historical and contemporary events by proposing scenography both as a theoretical concept and as a practical exercise in the field of art history and related disciplines.
Andrea Sommer-Mathis, Former Senior Research Asscociate at the Austrian Academy of Sciences, Austria
Bypassing conventional interdisciplinary anthologies, this collection illuminates the primacy of the physical body and the spatial and material allure it evinces on stage and in visual artistry. Contributions from diverse scholars, sometimes working in direct collaboration, illuminate the many ways in which the performative operates both in real time and in allusive visual form.
Sarah R Cohen, Professor and Chair, Department of Art and Art History, University at Albany, SUNY, USA
Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly.
The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.
List of Illustrations
List of Contributors
Two forewords
Acknowledgements
1. Introduction: Re-imagining Scenography in Relation to Art History, Astrid von Rosen (University of Gothenburg, Sweden) and Viveka Kjellmer (University of Gothenburg, Sweden)
2. Black Goats and Broomsticks: Feminism and the Figure of the Witch in Leonor Fini’s Designs for Le Sabbat, Rachael Grew (Loughborough University, UK)
3. Scenographing the Dance Archive – Keep Crawling!, Astrid von Rosen (University of Gothenburg, Sweden)
4. Michael Chapman’s Rauschenberg: Mis-en-scène and Scenography in Taxi Driver, Gillian McIver (The University for the Creative Arts, UK)
5. A Dynamic Bipolarity: The Royal Holloway Chapel Project, Scenography and Art History, Greer Crawley (Buckinghamshire New University/Royal Holloway University of London, UK) and Harriet O’Neill (British School at Rome, Italy)
6. Killed by Drones: Embodying Live Performance Scenography, Olga Nikolaeva (Independent scholar, Sweden)
7. Evocations of the ‘sonore et voilé’: The Scenographic World of Der Ring in the Art of Henri Fantin-Latour, Corrinne Chong (Peel District School Board/Art Gallery of Ontario, Canada)
8. Visual Couture: Costume Agency in the Advertising Campaign Opera Papier, Viveka Kjellmer (University of Gothenburg, Sweden)
9. ‘Re-Dressing The Part:’ The Scenographic Strategies of Ellen Terry (1847-1928), Veronica Isaac (University of Brighton/New York University London, UK)
10. Scenographing Festival Books: Towards a Multisensory Archive, Carmen González-Román (University of Málaga, Spain)
11. Scenographic Events: Interfacing with Digital Fashion Stories, Christine Sjöberg (University of Gothenburg, Sweden)
12. Beyond Change: Archaeology of a Spook Play, Tamas Szalczer (Designer, USA) and Eszter Szalczer (University at Albany, State University of New York, USA)
Index
Produktdetaljer
Biografisk notat
Astrid von Rosen is Associate Professor of Art History and Visual Studies at the University of Gothenburg, Sweden.
Viveka Kjellmer is Assistant Professor of Art History and Visual Studies at the University of Gothenburg, Sweden.