1 Acknowledgments
2 Introduction: The State of Cinema and Disability Studies
3 Theorizing Cinema and Disability
4 Screening Stereotypes: Images of Disabled People
5 The Hollywood Discourse on Disability: Some Personal Reflections
6 The Fusion of Film Studies and Disability Studies
7 Disability as Monstrosity in Classical Hollywood Cinema: Tod Browning and The Hunchback of Notre Dame
8 None of Us: Ambiguity as Moral Discourse in Tod Browning's Freaks
9 The Horror of Becoming "One of Us:" Tod Browning's Freaks and Disability
10 Disabling the Viewer: Perceptions of Disability in Tod Browning's Freaks
11 Tod Browning and the Monstrosity of Hollywood Style
12 Lost and Found in Translation: The Changing Faces of Disability in the Film Adaptations of Hugo's Notre Dame de Paris: 1842
13 Disability as Trauma, Mental Illness, and Dysfunction in Post-Vietnam Cinema
14 Trapped in the Affection-Image: American Cinema's Post-Traumatic Cycle (1970-1976)
15 The Inner Life of Ordinary People
16 Disability and the Dysfunctional Family in Wayne Wang's Smoke
17 Disability as Spectacle in Contemporary Cinema
18 The Noble Ruined Body: Blindness and Visual Prosthetics in Three Science Fiction Films
19 The Spectacle of Disabled Masculinity in John Woo's "Heroic Bloodshed" Films
20 Sexy Cyborgs: Disability and Erotic Politics in Cronenberg's Crash
21 Index
22 About the Contributors