An eminently readable book with strong examples that support its fundamental argument that visual pleasure is intrinsic to television aesthetics and practice ... Wheatley [provides] comprehensive research and articulate analysis.

Journal of Cinema and Media Studies

In terms of visual impact, television has often been regarded as inferior to cinema. It has been characterised as sound-led and consumed by a distracted audience. Today, it is tempting to see the rise of HD television as ushering in a new era of spectacular television. Yet since its earliest days, the medium has been epitomised by spectacle and offered its viewers diverse forms of visual pleasure. Looking at the early promotion of television and the launch of colour broadcasting, Spectacular Television traces a history of television as spectacular attraction, from its launch to the contemporary age of surround sound, digital effects and HD screens. In focusing on the spectacle of nature, landscape, and even our own bodies on television via explorations of popular television dramas, documentary series and factual entertainment, and ambitious natural history television, Helen Wheatley answers the questions: what is televisual pleasure, and how has television defined its own brand of spectacular aesthetics?
Les mer
Helen Wheatley answers the questions: what is televisual pleasure, and how has television defined its own brand of spectacular aesthetics?

TABLE OF CONTENTS

Introduction: What is spectacular television? What is (tele)visual pleasure?

Part I Spectacular Histories, Spectacular Technologies

Chapter 1: Television comes to town: The spectacle of television at the mid-twentieth-century exhibition and beyond

Chapter 2: Spectacular colour? Reconsidering the launch of colour television in Britain

Part II Spectacular Landscapes and the Natural World: Exploring beautiful television

Chapter 3: At home on safari: Colonial spectacle, domestic space and 1950s television

Chapter 4: Visual pleasure, natural history television, and televisual beauty

Chapter 5: Television’s landscapes, (tele)visual pleasure and the imagined elsewhere

Part III Spectacular Bodies and (Tele)visual Pleasure

Chapter 6: Fascinating bodies: Looking inside television’s somatic spectacle

Chapter 7: The erotics of television

Conclusion: Sites of wonder, sights of wonder

Les mer
Helen Wheatley answers the questions: what is televisual pleasure, and how has television defined its own brand of spectacular aesthetics?

Produktdetaljer

ISBN
9781780767376
Publisert
2016-06-20
Utgiver
Bloomsbury Publishing PLC
Vekt
360 gr
Høyde
214 mm
Bredde
138 mm
Dybde
22 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
288

Forfatter

Biografisk notat

Helen Wheatley is Associate Professor of Film and Television Studies at the University of Warwick. She is the editor of Re-viewing Television History: Critical Issues in Television Historiography (I.B.Tauris, 2007), co-editor of Television for Women: New Directions (2016) and author of Gothic Television (2006). Her research focuses on television history and aesthetics.