A remarkable book that explores the reception of Kant’s theory of the sublime in Lyotard, Deleuze and Guattari, Rancière and Derrida, as well as in more recent philosophical movements such as Speculative Realism and Accelerationism. But Zepke is an equally astute observer of the art world, and he simultaneously examines the role that this "sublime aesthetics" has (or has not) played in contemporary artistic production and political struggles. Sublime Art is not only the definitive analysis of the reception of the Kantian sublime, but a visionary manifesto for the aesthetics of the future.​

Daniel W. Smith, Purdue University

Stephen Zepke is already known as a considerable philosopher of the new. In these pages he expertly navigates the inconsistent legacies of Kantian aesthetics with the goal of regaining the political and philosophical potentialities of sublime art and its role in difficult eruptions of the new. Zepke’s analyses range across a continuum of discomfort attributed to the sublime through exquisitely crafted chapters that counterpoise Lyotard, Deleuze, Derrida, and Rancière. This book may have absorbed its subject so well that its readers will be left in tatters.

Gary Genosko, University of Ontario Institute of Technology