Bruce Robinson's first and most famous outing as a writer/director, <i>Withnail & I </i>has gone down in history as the student film...this book is lively with enthusiasm and full to bursting point with anecdotes and analysis...He doesn't try to come across as anything more than what he certainly is: a die-hard Withnail fan with a keen eye for detail and a delightful nose for a story.

- Filmwerk,

Withnail and I sank almost without a trace when it was first released in 1987. Financed by HandMade Films, the late George Harrison’s production company, and drawing heavily on first-time writer-director Bruce Robinson's experiences, this virtually plot-free story follows two out-of-work actors (Withnail, played by Richard E. Grant, and 'I', played by Paul McGann), eking out a living in a run-down London of the late 1960s, and embarking on a booze-fuelled weekend in the country which takes various unexpected turns. Although it initially failed to find an audience, it did not take long for the film to attract a dedicated cult following which still persists today. Lines from the film such as 'we've gone on holiday by mistake!' and 'Bring me the finest wines known to humanity!' have become popular favourites and the subject of countless internet memes.

Kevin Jackson's in-depth study gives a full account of the film's origins and production history. But his main focus is the mood and magic of the film, its aesthetics and sensibility, seeking to show, without ever detracting from the film's comic brilliance, just how much more there is to Withnail and I than drunkenness and swearing. 'It is an outstandingly touching yet witheringly unsentimental drama of male friendship,' Jackson writes, 'a bleak up-ending of the English pastoral dream, a piece of ferocious verbal inventiveness' - and, without question, one of the greatest of all British films.

In his new foreword to this edition, writer Bharat Tandon pays tribute to to both Withnail's peculiar genius and enduring appeal, and to his close friend Kevin Jackson.

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Acknowledgments
Foreword to the 2022 edition
Introduction: Withnail and Me
1. A Terrible Cult?
2. The Arena of the Unwell
3. A Kingdom of Rains
4. The Last Island of Beauty
5. The Company of Wolves
Notes
Credits

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A study of Bruce Robinson's cult classic Withnail and I in the BFI Film Classics series.
A new edition of Kevin Jackson's study of Withnail and I, a much-loved cult classic of British cinema, with a new foreword

"An indispensable part of every cineaste's bookcase" - Total Film

"Possibly the most bountiful book series in the history of film criticism." - Jonathan Rosenbaum, Film Comment

"Magnificently concentrated examples of flowing freeform critical poetry." - Uncut

"The series is a landmark in film criticism." - Quarterly Review of Film and Video

"A formidable body of work collectively generating some fascinating insights into the evolution of cinema." -Times Higher Education

Celebrating film for over 30 years

The BFI Film Classics series introduces, interprets and celebrates landmarks of world cinema. Each volume offers an argument for the film's 'classic' status, together with discussion of its production and reception history, its place within a genre or national cinema, an account of its technical and aesthetic importance, and in many cases, the author's personal response to the film.

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Produktdetaljer

ISBN
9781839025457
Publisert
2022-11-03
Utgave
2. utgave
Utgiver
Bloomsbury Publishing PLC
Vekt
180 gr
Høyde
188 mm
Bredde
136 mm
Dybde
4 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
112

Forfatter

Biografisk notat

Kevin Jackson (1955-2021) was a writer, broadcaster and film-maker. His books include Constellation of Genius: 1922: Modernism Year One (2012), and BFI Film Classics on Lawrence of Arabia (2007) and Nosferatu:eine Symphonie des Grauens (2013). He was a fellow of the Royal Society of Arts, a Companion of the Guild of St George, and a Regent of the College de Pataphysique, as well as a regular contributor to BBC radio programmes, including BBC Radio 4's Saturday Review.