"The past decade has seen a change of attitude towards drawing. Its importance as an element in human intelligence is now widely appreciated. However, there has not been a clear picture of research in the field or an agenda for future investigation. Writing on Drawing fills this gap. It gives an insight into current work and it is clear that a paradigm shift is underway. Drawing is, of course, strongly identified with art and design but it is now being seen in a much broader context. The contributions to this book give a new insight into this fascinating activity."-Prof Ken Baynes, Loughborough University "This book captures the range of current debates, each contributor addresses themes that are significant to the development of drawing both as a practice and as a critical discourse. The book helps to outline an intellectual frame of reference for drawing practices, and allows an interdisciplinary conversation around the role of these activities in the wider world. This is an impressive achievement, as an academic who wishes to explore drawing as a cognitive process and as an artist working in the mass mediated world where the language of drawing has found a vital role, this book will be invaluable for me and to my students." - Prof Mario Minichiello, Birmingham City University "Writing on Drawing is an excellent resource, in which a balance is achieved between academic, educational and entertaining pieces. While the book is intellectually stimulating, it is never dry and successfully brings together critical thinking, debate and research to form a thought provoking insight into the "intelligence of seeing". - Alice Hunter, www.artjournal.co.uk

An increased public and academic interest in drawing and sketching, both traditional and digital, has allowed drawing research to emerge recently as a discipline in its own right. In light of this development, Writing on Drawing presents a collection of essays by leading artists and drawing researchers that reveal a provocative agenda for the field, analysing the latest work on creativity, education and thinking from a variety of perspectives. Writing on Drawing is a forward-looking text that provokes enquiry and shared understanding of contemporary drawing research and practice. An essential resource for artists, scientists, designers and engineers, this volume offers consolidation, discussion and guidance for a previously fragmented discipline.

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This book presents essays that reveal a provocative agenda for drawing research, analysing the latest work on creativity, education and thinking from a variety of perspectives. Bringing together contributions by leading artists and researchers, this volume offers consolidation, discussion and guidance for a previously fragmented discipline.

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Foreword - 'Re: Positioning Drawing' - Page 9 - Anita Taylor Chapter 1: 'Towards a Critical Discourse in Drawing Research' - Page 15 - Steve Garner Chapter 2: 'Nailing the Liminal: The Difficulties of Defining Drawing' - Page 27 - Deanna Petherbridge Chapter 3: 'Drawing Connections' - Page 43 - Richard Talbot Chapter 4: 'Looking at Drawing: Theoretical Distinctions and their Usefulness' - Page 59 - Ernst van Alphen Chapter 5: 'Pride, Prejudice and the Pencil' - Page 71 - James Faure Walker Chapter 6: ' Reappraising Young Children's Mark-making and Drawing' - Page 93 - Angela Anning Chapter 7: 'New Beginnings and Monstrous Births: Notes Towards an Appreciation of Ideational Drawing' - Page 109 - Terry Rosenberg Chapter 8: ' Embedded Drawing' - Page 125 - Angela Eames Chapter 9: 'Recording: And Questions of Accuracy' - Page 141 - Stephen Farthing Chapter 10: 'Drawing: Towards an Intelligence of Seeing' - Page 153 - Howard Riley Chapter 11: 'Digital Drawing, Graphic Storytelling and Visual Journalism' - Page 169 - Anna Ursyn
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Produktdetaljer

ISBN
9781841502007
Publisert
2008-11-15
Utgiver
Intellect
Vekt
513 gr
Høyde
229 mm
Bredde
178 mm
Dybde
13 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
192

Redaktør

Biografisk notat

Steve Garner is Senior Lecturer in the Department of Design and Innovation at the Open University. Research interests include the use of representations in design (particularly sketching), usability in product design, and computer supported collaborative designing. He is Director of the international Drawing Research Network.