This multifaceted – and longed-for – anthology explores Nordic film through a dynamic transnational perspective, combining thorough analytical approaches with a wide range of cultural and social observations. The texts uncover the importance of Nordic genre cinema from romantic comedy to slasher, and put its recent successes in a historical context.
- Lars Gustaf Andersson, Lund University, Sweden,
The volume stands out in its breadth of critical discussion and detailed examination of contemporary, post-2000 films and television series. What is indeed refreshing is that the chapters in this book pay particular attention to the transnational production, distribution, and reception of contemporary genre films – in part following the ‘institutional turn’ in film studies today, and in part an effort to expand our understanding of genre and its connections to regional and transnational dynamics.
- Pei-Sze Chow, Scandinavica: An International Journal of Scandinavian Studies