Thomas Lynch is at pains to seem the guileless author of poems which simply end up in remarkable proximity to their subjects. In fact he is an artist of great gifts, musically elevating and directing the speaking voice towards a startling power, moving through the accumulation of detail to give a visionary account of ordinary life, doing justice to its error and comedy. If it remains the poet's task to say thigns on behalf of everybody, Lynch shows us how it shoud be done

- Sean O'Brien,

Thomas Lynch looks into the eyes of corpses and sees their lives and their difficult loves that remind him of his own. And he manages to do this with humour and grace

- Matthew Sweeney,

He can fashion long, singing lines unafraid of the old elemental resonances of stars, roses, angels, the Latin mysteries of his Catholic childhood

Observer

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His stately ruminations... mediate between the poles of innocent joy and ultimate disaster without tipping over in either direction

Guardian

This thoughtful volume is neither too sentimental nor too clinical about death's role (and the author's) in our lives

Kirkus Reviews

The poems in Grimalkin - Thomas Lynch's first publication in Britain are all concerned, in one way or another, with achieving a balance in the face of gravity. In each poem, Lynch is looking for this equilibrium between equal and opposing forces: the gravities of sex and death, love and grief - all the things that make us breathless and horizontal, mortal and memorable.

By means of a wry, mordant wit, telling observation and glorious poise, we are shown the strong tensions that make us human: the forces in our nature that create, replicate, restore, renew us; and those that kill us, constrict our lives, silence us. From spirited invective to meditations on morality, from lyrics of love and desire to a corrosive flyting to his ex-wife, these poems explore an extraordinary emotional range and technical facility but, more importantly, they reveal a compassionate, wise, and genial humanity.

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The poems in Grimalkin - Thomas Lynch's first publication in Britain are all concerned, in one way or another, with achieving a balance in the face of gravity.

'It is a great pleasure to have his powerful poems finally available this side of the Atlantic' - Matthew Sweeney

Product details

ISBN
9780224039734
Published
1994
Publisher
Vintage Publishing
Weight
115 gr
Height
199 mm
Width
134 mm
Thickness
8 mm
Age
01, G, 01
Language
Product language
Engelsk
Format
Product format
Heftet
Number of pages
80

Author

Biographical note

Thomas Lynch is the author of three collections of essays, Bodies in Motion and at Rest, The Undertaking, which was shortlisted for the 1997 National Book Award, and Booking Passage. His poetry collections include Grimalkin & Other Poems and Still Life in Milford. He lives and works in Milford, Michigan, where he is the funeral director, and in West Clare where he keeps an ancestral cottage.