Existential semiotics involves an a priori state of signs and their fixation into objective entities. These essays define this new philosophical field.
Defines the philosophical field of existential semiotics. Existential semiotics involves a priori state of signs and their fixation into objective entities. There is a hermeneutic and phenomenological aspect to the work. Its sources are in Husserl, Schutz, Merleau-Ponty, Hegel, Schelling, Kierkegaard, Jaspers, and Heidegger.
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ContentsPart One: Philosophical ReflectionsOn the Paths of Existential SemioticsSigns and TranscendenceEndo-/Exogenic Signs, Fields, and WorldsUnderstanding, Misunderstandings, and Self-UnderstandingSigns of Anxiety; or the Problem of Semiotic SubjectPart Two: In the Forest of SymbolsFrom Aesthetics to EthicsThe "Structural" and "Existential" Styles in 20th Century ArtsOn the Authenticity and Inauthenticity of ArtPart Three: The Social and Cultural Field of SignsOn Post-colonial SemiosisSemiotics of LandscapesPoetics of PlaceWalt Disney and Americanness"...and you find the right one"Senses, Values—and Media
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Tarasti's explanations, analyses and comments of sign processes in art and everyday life might seem amazing at first sight. He is not afraid of heavily speculative and heavily metaphysical thinking. . . . [he] wants to show us that there can be more involved in sign processes than pure conventionality, maybe even something that is beyond the grasp of the Semiotician.34 2004
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A fascinating series of essays seeking to define the new philosophical dimension of semiotics.

Produktdetaljer

ISBN
9780253337221
Publisert
2001-02-22
Utgiver
Vendor
Indiana University Press
Vekt
531 gr
Høyde
235 mm
Bredde
155 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
232

Forfatter

Biographical note

Eero Tarasti holds the Chair of Musicology at the University of Helsinki. One of the world's leading semioticians, he is founder and President of the Semiotic Society of Finland, Director of the International Semiotics Institute at Imatra, and author of numerous articles and books, including A Theory of Musical Semiotics (Indiana University Press).