In "Hallucination in Hong Kong" by Rohan Quine, sliding from joy to nightmare and back, a plane-flight frames a journey into Jaymi's and Angel's polarised identities and perceptions, where past and present merge in an obsessive fantasy of love, death, horror and apocalyptic beauty. As their plane takes off, Jaymi is warmed by the presence of his beloved friend Angel beside him. They are bound for Hong Kong, to perform a grand concert of unearthly music from a stage set high on the Peak. Jaymi starts to doze ... and enters a fog of horror in seeming to remember that this concert lies in their distant past, not their imminent future: it happened nine years ago, and straight after that triumphant occasion there occurred unexpected disaster and the permanent catatonia of Angel. Those terrible events were rendered all the more poignant by the idyllic chapter they had experienced upon first meeting and falling in love, which he now recalls in great detail. In reality (it would seem), Jaymi is on this flight alone, on a mission to put a compassionate end to Angel's life, in view of his continued catatonia. And in an atmosphere of escalating nightmare and disjunction, incongruously set against the beauty of night-time Hong Kong as seen from the Peak and the Midlevels, this grim mission of euthanasia is accomplished - perhaps. That nightmare atmosphere is magnified by the obsessive flicker of Jaymi's mind through complex permutations of his own possible guilt at betraying Angel, and the latter's possible knowledge of this guilt ... because hadn't there actually been a mirror on the ceiling above the bench where Angel lay supine years ago, unnoticed by Jaymi at the time but in fact revealing to Angel certain things about Jaymi's movements that he hadn't known Angel could see? Sliding from joy to nightmare, then back to a joy stained by the flavour of vanishing nightmare, "Hallucination in Hong Kong" explores those hellish possible events lying beneath the surface of our present and future, always ready to break through into reality if they become so inclined. In this journey, it conjures up from Jaymi's and Angel's polarised identities and perceptions an obsessive fantasy of dark androgyny, ironic horror and apocalyptic beauty. literary fiction, litfic, magical realism, horror, dark fantasy, cyberpunk, contemporary, scifi, gay, transgender, LGBT, visionary, imagination, imagery, spectacular, Hong Kong, Victoria Peak, Mid-Levels, Central, plane flight, concert, catatonia, paralysis, mirror, nightmare, beauty, city, love, obsession, night
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In Hallucination in Hong Kong by Rohan Quine, sliding from joy to nightmare and back, a plane-flight frames a journey into Jaymi's and Angel's polarised identities and perceptions, where past and present merge in an obsessive fantasy of love, death, horror and apocalyptic beauty.
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1 So here is the horror, to sicken the sun 2 Love among the spires and the fountains 3 Oh, my Angel
"Rohan Quine is one of the most brilliant and original writers around. His 'The Imagination Thief' blended written and spoken word and visuals to create one of the most haunting and complex explorations of the dark corners of the soul you will ever read. Never one to do something simple when something more complex can build up the layers more beautifully, he is back with a collection of 4 seamlessly interwoven novellas. [...] suffice to say he is the consummate master of sentencecraft. His prose is a warming sea on which to float and luxuriate. But that is only half of the picture. He has a remarkable insight into the human psyche, and he demonstrates it by lacquering layer on layer of subtle observation and nuance. Allow yourself to slip from the slick surface of the water and you will soon find yourself tangled in a very deep and disturbing world, but the dangers that lurk beneath the surface are so enticing, so intoxicating it is impossible to resist their call." "It would be remiss of me not to take this opportunity to bring people's attention to a truly remarkable book. Rohan Quine writes right at the boundary between literary fiction and experimentalism, and his new collection of four novellas, 'The Platinum Raven and other novellas', is a genuine masterpiece. This guy is as good as [Sergio] De La Pava, and deserves to be the next self-published literary author to cross over into mainstream consciousness" (in "SPR"). "Rohan is one of the most original voices in the literary world today - and one of the most brilliant." "four stunning new novellas by one of the most exciting literary writers in the UK." - Dan Holloway, novelist, poet and "Guardian" blogger "Rohan Quine is a master of words, his world is also accessible, and it's a place you definitely need to visit. With echoes of Jennifer Egan's 'Goon Squad', Quine captures all that is beautiful, but he doesn't shy away from all that is ugly. What links the four novellas together is that his characters are all searching for that something beyond the everyday, beyond the ordinary, and Quine is a god, having them dole out kindness and justice. In his world, everything that is commonplace would be annihilated. This is the kind of read you have to give yourself up to. [...] When you emerge on the other side with a greater understanding of what it means to be 'that animal called human', then that will be the time to stop and ask, 'What just happened?'" "Rohan Quine is a poet who happens to write novellas/novels. Incredible use of language." - Jane Davis, novelist "Novelist Rohan Quine not only has several books out. He also has a career in alternative modeling and film to look back on. Naturally, he has gone on to make a series of silent short films to go with an audio track of the author reading from his work. It's flooded with city lights, drugs and darkness. One foot in the New York Nineties, and one foot in today's London, it's both hypnotic and gut-churning." - Polly Trope, novelist, writing in "indieBerlin" "A cautionary tale of the potential corrupting power both of vanity and of the internet plays out in modern London's high-tech dockland offices and luxury apartments, with brief forays to lavish West End hotels and country houses. [...] As the story becomes ever darker, gentle touches of humour provide a little light relief. I particularly enjoyed the characterisation of the women, especially the wonderfully petulant Angel Deon [...]. While at first this parable's main purpose may seem to rage against the principles of a high tech, monopolistic, capitalist world that enable individuals to lead unspeakably privileged lives above the law, it is at the same time a cautionary tale against narcissism and the abandonment of love and compassion for others. This broader theme gives the story its true heart and depth. Quine is renowned for his rich, inventive and original prose, and he is skilled at blending contemporary and ancient icons and themes. [...] an interesting approach to dialogue, blending idiom and phraseology from different eras, from Victorian times through 20th century popular film culture to the modern day. [...] There are some classic moments of horror that are very filmic, including one on a par with the Psycho shower scene. Without giving too much away, I can imagine this book might put readers off accessing their own attics for a while." - Debbie Young, novelist and Amazon UK 1,000 Reviewer, writing in "Vine Leaves Literary Journal", about "The Host in the Attic" "This is an extraordinary writer. I am going to gorge myself on these novellas as soon as I possibly can." - JJ Marsh, novelist "cerebral works full of brilliant imagery and invention. This series of novellas are all well crafted and designed to draw the reader in to the shifting realities of their settings. The title novella 'The Platinum Raven' in fact has two young women in two narratives [...] very vividly described. There are elements of magical realism and alternate reality throughout. At times the two Ravens appear to communicate but the levels of reality are enigmatic and intriguing. 'The Host in the Attic' is a beautifully reinterpreted version of 'The Picture of Dorian Gray' set in a high-tech dystopian world and a sinister computer global company - Mainframe Corporation, which appears to permeate every level of society. The hologram corporate image logo is in essence Dorian. All the main characters from Wilde's novel are here in more modern form. It has a tremendous and horrific climax. The horror novella 'Apricot Eyes' is a fast-paced horror tale in a nightmarish New York. 'Hallucination in Hong Kong' is a mysterious tale of past and present, dreams and waking with horror and love themes. The whole collection is a roller-coaster of at times nightmarish perceptions and strange surreal happenings brilliantly imagined. The tales leave a lasting impression and I recommend highly." - Alexander Gordon-Wood, actor
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Produktdetaljer

ISBN
9781916147638
Publisert
2019-10-06
Utgiver
Vendor
EC1 Digital
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Lydfil

Forfatter
Narrator

Biographical note

Rohan Quine is an author of literary fiction with a touch of magical realism and a dusting of horror. He grew up in South London, spent a couple of years in L.A. and then a decade in New York, where he ran around excitably, saying a few well-chosen words in various feature films and TV shows, such as "Zoolander", "Election", "Oz", "Third Watch", "100 Centre Street", "The Last Days of Disco", "The Basketball Diaries", "Spin City" and "Law & Order: Special Victims Unit" (see www.rohanquine.com/those-new-york-nineties/film-tv). He's now living back in East London, as an Imagination Thief, with his boyfriend and a caramel-coloured rabbit. His novel THE BEASTS OF ELECTRA DRIVE (a Finalist in the IAN Book of the Year Awards 2018) is a prequel to his other five tales, and a good place to start. See www.rohanquine.com/press-media/the-beasts-of-electra-drive-reviews-media for reviews by "Kirkus", "Bookmuse", "Bending the Bookshelf" and others. From Hollywood mansions to South Central motels, havoc and love are wrought across a mythic L.A., through the creations of games designer Jaymi, in a unique explosion of glamour and beauty, horror and enchantment, celebrating the magic of creativity itself. In addition to its paperback format, his novel THE IMAGINATION THIEF is available as an ebook that contains links to film and audio and photographic content in conjunction with the text. See www.rohanquine.com/press-media/the-imagination-thief-reviews-media for some nice reviews in "The Guardian", "Bookmuse", "indieBerlin" and elsewhere. It's about a web of secrets triggered by the stealing and copying of people's imaginations and memories, the magic that can be conjured by images of people, the split between beauty and happiness, and the allure of power. Four novellas - THE PLATINUM RAVEN, THE HOST IN THE ATTIC, APRICOT EYES and HALLUCINATION IN HONG KONG - are published as separate ebooks, and also as a single paperback THE PLATINUM RAVEN AND OTHER NOVELLAS. See www.rohanquine.com/press-media/the-novellas-reviews-media for reviews of these novellas, including by Iris Murdoch, James Purdy, "Lambda Book Report" and "New York Press". Hunting as a pack, all four delve deep into the beauty, darkness and mirth of this predicament called life, where we seem to have been dropped without sufficient consultation ahead of time. The six titles are in the process of being released in audiobook and video-book formats too, performed by the author. www.rohanquine.com "Rohan Quine is one of the most original voices in the literary world today - and one of the most brilliant." -"Guardian" Books blogger Dan Holloway "The swooping eloquence of this book had me hypnotised. Quine leaps into pools of imagery, delighting in what words can do. The fact that the reader is lured into joining this kaleidoscopic, elemental ballet marks this out as something fresh and unusual. In addition to the language, two other elements make their mark. The seaside ghost town with echoes of the past and the absorbing, varied and rich cast of characters. It's a story with a concept, place and people you'll find hard to leave." -JJ Marsh, "Bookmuse" "Quine is renowned for his rich, inventive and original prose, and he is skilled at blending contemporary and ancient icons and themes." -Debbie Young, "Vine Leaves Literary Journal"