<p>“Mielke’s work demonstrates that material sources, from coins to funerary monuments, can inform scholars about the ways in which royal women displayed their political and religious authority that transcend the written record.” (Jessica L. Mineri, Royal Studies Journal, Vol. 9 (1), 2022)</p>

This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king. 
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This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives.
1. Introduction.- 2. The Beginnings of the Hungarian ‘queendom’ (c. 1000-1090).- 3. Stones and bones and the queens of the twelfth century (1097-1193).- 4. The “office” of the queen begins (1172-1233).- 5. The second foundresses (1235-1295).- 6. Long widowhoods (1296-1380).- 7. Regent and Regnant (1370-1395).- 8. Conclusions.

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This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king. 
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“Mielke’s comprehensive examination of the full range of material objects that can be associated with Hungary’s queens from the eleventh through fourteenth centuries demonstrates how the ‘material turn’ in historiography can correct the historical evaluation of these poorly documented royal consorts. By examining both surviving objects and those described in written sources, from their jewelry to crowns, seals, books, donatives to churches, their places of retirement and even their physical remains, he shows women constrained by their roles who nevertheless developed spheres of autonomous action and self-expression.”

— Patrick Geary, Professor Emeritus, Institute for Advanced Study, USA

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Examines the medieval queens of Hungary primarily through their material culture and through the spaces they built, renovated, or restored Showcases common features with the west as well as how the queens had to deal with court structures unique to Hungary Argues that queens used material culture and space to prop up their own position when it was weakened by external circumstances
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Produktdetaljer

ISBN
9783030665135
Publisert
2022-04-23
Utgiver
Springer Nature Switzerland AG
Høyde
210 mm
Bredde
148 mm
Aldersnivå
Research, P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
317

Biografisk notat

Christopher Mielke is Executive Director of the Beverly Heritage Center in West Virginia, USA. From 2017–2018, he was a Visiting Assistant Professor at Al-Quds Bard College for Arts and Sciences in East Jerusalem. He received his PhD in Medieval Studies from Central European University in 2017.