The decapitation motif recurs in nearly all medieval and early modern genres, from saints' lives and epics to comedies and romances, yet decollation is often little regarded, save as a marker of humanity (that is, as the moment mortality exits) or inhumanity (that is, as the moment the supernatural enters). However, as a seat of reason, wisdom, and even the soul, the head has long been afforded a special place in the body politic, even when separated from its body proper. Capitalizing upon the enduring fascination with decapitation in European culture, this collection examines--through a variety of critical lenses--the recurring "roles/rolls" of severed human heads in the medieval and early modern imagination.
Contributors are Nicola Masciandaro, Mark Faulkner, Jay Paul Gates, Christine Cooper-Rompato, Dwayne Coleman, Mary Leech, Tina Boyer, Renée Ward, Andrew Fleck, Thomas Herron, Thea Cervone, and Asa Simon Mittman. Preface by Jeffrey Jerome Cohen.
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Capitalizing upon the enduring fascination with decapitation in European culture, this collection examines--through a variety of critical lenses--the recurring "roles/rolls" of severed human heads in the medieval and early modern imagination.
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CONTENTS Preface: Losing Your Head ........................................................................... vii Jefffrey Jerome Cohen Acknowledgements ........................................................................................ xi List of Illustrations .......................................................................................... xiii List of Contributors ........................................................................................ xv Introduction ..................................................................................................... 1 Larissa Tracy and Jefff Massey Non potest hoc corpus decollari: Beheading and the Impossible ...... 15 Nicola Masciandaro EXECUTION AND HAGIOGRAPHY “Like a Virgin”: The Reheading of St. Edmund and Monastic Reform in Late-Tenth-Century England ............................................. 39 Mark Faulkner A Crowning Achievement: The Royal Execution and Damnation of Eadric Streona ........................................................................................ 53 Jay Paul Gates Decapitation, Martyrdom, and Late Medieval Execution Practices in The Book of Margery Kempe .............................................................. 73 Christine F. Cooper-Rompato CONTINENTAL NARRATIVES OF PUNISHMENT AND OTHERING Talking Heads in Hell: Dante’s Use of Severed Heads in Inferno .... 93 Dwayne C. Coleman Severed Silence: Social Boundaries and Family Honor in Boccaccio’s “Tale of Lisabetta” ............................................................... 115 Mary E. Leech The Headless Giant: The Function of Severed Heads in the Ahistorical (Aventiurehafte) Dietrich Epics ....................................... 137 Tina Boyer ENGLISH ROMANCE AND REALITY “To be a ‘Fleschhewere’ ”: Beheading, Butcher-Knights, and Blood-Taboos in Octavian Imperator ................................................... 159 Renée Ward The Werewolf at the Head Table: Metatheatric “subtlety” in Arthur and Gorlagon ............................................................................ 183 Jefff Massey “So he smote of hir hede by myssefortune”: The Real Price of the Beheading Game in SGGK and Malory ............................................... 207 Larissa Tracy EARLY MODERN PRACTICE AND IMAGINATION “At the time of his death”: The Contested Narrative of Sir Walter Ralegh’s Beheading .................................................................................... 235 Andrew Fleck “Killing swine” and planting heads in Shakespeare’s Macbeth ......... 261 Thomas Herron “Tucked Beneath Her Arm”: Culture, Ideology, and Fantasy in the Curious Legend of Anne Boleyn ........................................................... 289 Thea Cervone ‟Answering the Call of the Severed Head” .............................................. 311 Asa Simon Mittman Bibliography ..................................................................................................... 329 Index ................................................................................................................... 347 Illustrations
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Produktdetaljer

ISBN
9789004211551
Publisert
2012
Utgiver
Brill
Vekt
782 gr
Høyde
235 mm
Bredde
155 mm
Dybde
27 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
388

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Biografisk notat

Larissa Tracy, Ph.D. (2000) in Medieval Literature, Trinity College, Dublin, is Associate Professor of Medieval Literature at Longwood University. She has published extensively on medieval texts with a specific focus on torture and brutality, including Torture and Brutality in Medieval Literature (D.S. Brewer, 2012).
Jeff Massey, Ph.D. (2003) in English Literature (Certificate in Medieval Studies), Emory University, is Associate Professor of English Language and Literature at Molloy College. He has published variously (from Chaucer to Hardy) but voices a particular interest in literary monstrosity.