“The book is valuable as an introduction to this topic of memory and identity studies, and can be recommended for students in the field of international relations with a focus on Southeast Europe, as well as for scholars wanting to continue research in the direc­tions mentioned.” (Maria Bostenaru Dan, Südosteuropa, Vol. 67 (2), 2019)

Where nostalgia was once dismissed a wistful dream of a never-never land, the academic focus has shifted to how pieces of the past are assembled as the elements in alternative political thinking as well as in artistic expression. The creative use of the past points to the complexities of the conceptualization of nostalgia, while entering areas where the humanities meet the art world and commerce. This collection of essays shows how this bond is politically and socially visible on different levels, from states to local communities, along with creative developments in art, literature and religious practice. Bringing together scholars from a range of disciplines, the book offers analyses from diverse theoretical perspectives, united by an interest in the political and cultural representations of the past in South-East Europe from a long-term perspective. By emphasising how the relationship between loss and creative inspiration are intertwined in cultural production and history writing,these essays cover themes across South-East Europe and provide an insight into how specific agents – intellectuals, politicians, artists – have represented the past and have looked towards the future.

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Where nostalgia was once dismissed a wistful dream of a never-never land, the academic focus has shifted to how pieces of the past are assembled as the elements in alternative political thinking as well as in artistic expression.

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1. Loss and Creativity – Affect and Effect: Political and Cultural Representations of the Past in South-East Europe; Catharina Raudvere.- 2. Transforming a Totalitarian Edifice Artistic and Ethnographic Engagements with the House of the People in Bucharest; Ger Duijzings.- 3. Battles of Nostalgic Proportion: The Transformations of Islam-as-Historical-Force in Western Balkan Reconstitutions of the Past; Isa Blumi.- 4. The Economy of Nostalgia: Communist Pathos between Politics and Advertisement;Tanja Zimmermann.- 5. ‘Everything Has its Place in God’s Imaret’: Nostalgic Visions of Coexistence in Contemporary Greek Historical Fiction; Trine Stauning Willert.- 6. ‘This is a Country for You’: Yugo-nostalgia and Antinationalism in the Rock-Music Culture of Bosnia and Herzegovina; Zlatko Jovanovic.- 7. Domesticating Kemalism: Conflicting Muslim Narratives about Turkey in Interwar Yugoslavia; Fabio Giomi.- 8. Writing for Survival: Letters of Sarajevo Jews before their Liquidation during WorldWar II; Francine Friedman.- 9. Enduring Bonds of Place: Personhood and the Loss of Home; Renee Hirschon.

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Where nostalgia was once dismissed a wistful dream of a never-never land, the academic focus has shifted to how pieces of the past are assembled as the elements in alternative political thinking as well as in artistic expression. The creative use of the past points to the complexities of the conceptualization of nostalgia, while entering areas where the humanities meet the art world and commerce. This collection of essays shows how this bond is politically and socially visible on different levels, from states to local communities, along with creative developments in art, literature and religious practice. Bringing together scholars from a range of disciplines, the book offers analyses from diverse theoretical perspectives, united by an interest in the political and cultural representations of the past in South-East Europe from a long-term perspective. By emphasising how the relationship between loss and creative inspiration are intertwined in cultural production and history writing,these essays cover themes across South-East Europe and provide an insight into how specific agents – intellectuals, politicians, artists – have represented the past and have looked towards the future.

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“This book represents a high-quality contribution to the field of memory studies and the idea of nostalgia in a crucial historical context. This will be a valuable addition to reading lists on imperial histories and legacies in the Balkans, not least because it brings together Habsburg and Ottoman narratives. The book is an excellent piece of scholarship” (Michael Talbot, University of Greenwich, UK)


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Interdisciplinary, bringing together a range of theoretical perspectives to explore the relationship between loss and creative inspiration in South-East Europe Chapters cover a number of specific case studies from across the region and from a long-term perspective Investigates the connections between modernization processes in South-East Europe and the production of narratives of home and belonging
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GPSR Compliance The European Union's (EU) General Product Safety Regulation (GPSR) is a set of rules that requires consumer products to be safe and our obligations to ensure this. If you have any concerns about our products you can contact us on ProductSafety@springernature.com. In case Publisher is established outside the EU, the EU authorized representative is: Springer Nature Customer Service Center GmbH Europaplatz 3 69115 Heidelberg, Germany ProductSafety@springernature.com
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Produktdetaljer

ISBN
9783319712512
Publisert
2018-08-31
Utgiver
Springer International Publishing AG
Høyde
210 mm
Bredde
148 mm
Aldersnivå
Research, U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
241

Redaktør

Biografisk notat

Catharina Raudvere is Professor of the History of Religions at the University of Copenhagen, Denmark, and directs its research centre ‘Many Roads in Modernity. South-East Europe and its Ottoman Roots’. Her most recent publications include studies of Islam and Muslim life in Bosnia and the edited Contested Memories and the Demands of the Past. History Cultures in the Modern Muslim World (2016).