Scotland's Transnational Heritage Legacies of Empire and Slavery
Produktdetaljer
Biografisk notat
Emma Bond is Professor of Italian and Comparative Studies at the University of Oxford and was Principal Investigator of the ‘Transnational Scotland’ network (2019–20). She has published widely on transnational, border and migration cultures, including the monograph Writing Migration through the Body (2018) and the co-edited volume Destination Italy: Representing Migration in Contemporary Media and Narrative (2015).This long overdue book feels like a challenge to the stories we have come to expect from our national heritage collections. The wealth of research from this sprawling and generous cohort of writers is insistently changing what stories are being told in Scotland and crucially who gets to lead on telling those stories.
- Alberta Whittle, University of Johannesburg,
Scotland’s Transnational Heritage offers a series of compelling reflections on the cultural memories, occlusions, and disavowals that have constituted Scotland’s global story. It addresses ways of enacting decolonization not only through intellectual analyses but also through embodied interventions. This is a timely book that aims to reach a wide and diverse audience in order to change the way Scotland’s past is understood in the present and in the future.
- Leith Davis, Eighteenth-Century Scotland
This volume – a range of very interesting essays based on a wide-ranging project embracing academics, museums and others in the field – is a lively, imaginative and revealing contribution towards rethinking Scotland’s past [...] The Scottish past is more complex, more interesting – and much more global – than we once believed. Yet, this is only one aspect of an intellectual process that is seeping across the entire British Isles. The editors, as well as contributors, are to be congratulated for revealing the past as not so much a foreign country as a variety of foreign countries.
- James Walvin, Family & Community History
The fundamental question posed by this book is one asked by artist Alberta Whittle at the beginning of her foreword: "How do we decide which stories to tell?" (p.xv). More broadly, the question is how galleries, museums and heritage collections choose which stories to tell with, and through, their collections. In these, still, early days of decolonising collections, this book brings into focus the legacies of empire and slavery in Scotland’s heritage, seeking to identify, and correct, the erasure of a transnational heritage that has buried racialised trauma beneath the more palatable narratives told until now, with global protests such as Black Lives Matter lending urgency to such matters […] The value of this book is its depth of research, its openness and its direct engagement with Scotland’s museums, galleries and heritage collections. That engagement has already facilitated different approaches to public exhibitions and displays. It is also a valuable opportunity to acknowledge difficult histories, expose hidden traumas and tell different stories.
- Beth Williamson, Scottish Art News - Fleming Collection
Drawing together analyses and interventions from a range of contributors representing academic, heritage institution and creative backgrounds, this book offers a crucial re-thinking of the stories of Scotland within local, national and imperial contexts.
- Leith Davis, Simon Fraser University,
This book is not a retelling of Scotland’s transnational history, but a series of case studies featuring new perspectives and innovative methods of communicating that history by drawing on Scotland’s heritage landscape. Scotland’s Transnational Heritage will be of interest to heritage and education professionals as well as members of the public with interest in these subjects and themes.
- Sheilagh Quaile, Journal of British Studies