As film students and younger fans experience "Big Hollywood Sound" in
Imax presentations and digital theaters, many are also discovering
action and adventure movies made well before they were born. There is
a legacy to be enjoyed in the sound of these films: Blockbuster movies
of the ‘80’s, and ‘90’s are notable for the extraordinarily
dramatic impact of their sound mixing, and the way in which it could
immerse audiences in a surrounding space. During this period, a small
group of sound professionals in Hollywood wrote and published a
critical journal about the craftsmanship, new technology, and changing
aesthetics that excited conversation in their community. Their work
has been edited and compiled here for the first time. David Stone is a
sound editor, a veteran of roughly 100 Hollywood feature films, such
as Gremlins, Top Gun, Die Hard, Speed, and Ocean’s 11. He was a
Supervising Sound Editor for projects as varied as Predator, Edward
Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2,
and Dolores Claiborne. He has collected Golden Reel awards for Best
Sound Editing five times, and won the 1992 Academy Award® for best
Sound Effects Editing, for his supervising work on Bram Stoker’s
Dracula. In 2015, he received a Lifetime Achievement Award from the
San Luis Obispo Jewish Film Festival in California. Stone is now a
Professor and former Chair of Sound Design at Savannah College of Art
and Design. Between 1989 and 1994, he was the editor of Moviesound
Newsletter, which was published by Vanessa Ament. Dr. Vanessa Theme
Ament is the author of The Foley Grail, and a contributor to Sound:
Dialogue, Music, and Effects (the Silver Screen Series). She is on the
steering committee for Cinesonika, an international film festival and
conference. A veteran Foley artist, sound editor, and voice actor from
Los Angeles, she also writes and sings jazz, and is a member of the
American Federation of Musicians, SAG-AFTRA, Actors Equity, and the
Editors Guild. She worked on Die Hard, sex, lies, and videotape,
Platoon, Predator, Edward Scissorhands, Beauty and the Beast, Noises
Off, and A Goofy Movie, and many other films. Dr. Ament received her
Ph.D. in Communication, in the area of Moving Image Studies, from
Georgia State University in Atlanta, and is presently the Edmund F.
and Virginia B. Ball Endowed Chair Professor of Telecommunications, at
Ball State University in Muncie, Indiana.
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A Case Study of the End of the Analog Age
Produktdetaljer
ISBN
9781000156041
Publisert
2020
Utgave
1. utgave
Utgiver
Taylor & Francis
Språk
Product language
Engelsk
Format
Product format
Digital bok
Forfatter