This book examines the links between experiencing immersion in antiquity and modernity. Immersive experiences are big business within today’s creative economy. Forms range from immersive museum exhibitions, theatrical performances, art installations and experiences facilitated through virtual and augmented reality technologies. Yet the idea of immersion is not new; paintings, sculpture and theatre have all been theorised historically in terms of illusion, realism and immersion.

From antiquity to modernity, there has been an interest in theorising the relationship between reality and virtual realities, and in contemplating whether feeling present in an alternate universe is a sought-after experience or something problematic and dangerous. The chapters in this volume explore the warnings against immersion voiced by Plato and embodied in the figure of the Homeric sirens, contrasted with the pro-immersion perspectives championed by Aristotelian mimesis and embodied in the concept of enargeia. The volume also examines the integration of the ancient world into immersive novels, games, museum exhibitions and theatrical performances. Practice-as-Research contributions explore the benefits of this synergy from practitioner perspectives. Contributors from diverse fields – including classical reception studies, art history, game studies, heritage studies and theatre studies – approach the interplay between antiquity and modernity from varied standpoints. Together, they uncover previously unforeseen connections across disciplines and lay the groundwork for future research and additional classically inflected immersive experiences.

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Explores the connection between immersive experiences in ancient literature and culture and immersive classical receptions in modernity.

List of Figures
List of Tables
List of Contributors
Acknowledgments

1. Antiquity and Immersivity: An Introduction, Emma Cole (University of Queensland, Australia)

Part One: Immersion in Literature
2. Reading the River Maeánder: Immersive Narrative in the Literature of the Labyrinth, Rae Muhlstock (University at Albany, USA)
3. The Sirens and the Dark Side of Immersion in Antiquity, Jonas Grethlein (University of Heidelberg, Germany)
4. Immersion, Emotion and Sensory Hierarchy: Thucydides beyond enargeia?, Elizabeth Webb (Open University, UK)

Part Two: Immersion and Imagery
5. Total Immersion Tropes: Environmental Materiality and Roman World-Formation, Diana Spencer (University of Birmingham, UK)
6. Imitating Passions Visually, Imitating Ancient Authors: Lessing’s Laokoon as an ‘Immersive’ Lens for a Comparison between Vergil and Petronius, Tiziana Ragno (Università di Foggia, Italy)
7. ‘To revive ancient life’: Lawrence Alma-Tadema and Perceptual Immersion, Marte Stinis (University of York, UK)

Part Three: Immersion, Theatre and Intermediality
8. Experiencing the Sacred in the Theatre of Pentheus: Bad Faith Immersion from the Performance Group to Punchdrunk, David Bullen (Royal Holloway, University of London, UK)
9. The Voice of Gods in Your Ear: Becoming the Avatar in Immersive Performance, Misha Myers (University of Greenwich, UK)

Part Four: Immersion and Gameplay
10. Immersivity in ‘Virtual Antiquity’, Richard Cole (University of Bristol, UK)
11. Immersive Metalepsis and (other) ‘Fantasies of Antiquity’ in Games, Benjamin Eldon Stevens (Howard University, USA)

Part Five: Immersion and Heritage
12. Bringing the Voices of Roman London to life: Poetry and Space, Charlotte Parkyn (Notre Dame International, UK) & Josephine Balmer (Independent Scholar, UK)
13. Ancient Roman House to Modern Museum: Doubling the Horizons of Immersion through Exhibitions, Alina Kozlovski (University of New England, Australia)

Notes
Bibliography
Index

Les mer
Explores the connection between immersive experiences in ancient literature and culture and immersive classical receptions in modernity.
First volume to showcase scholarship on both immersive experiences in antiquity and immersive experiences in modernity
Bloomsbury Studies in Classical Reception presents authored and edited scholarly volumes offering new and innovative research and debate to students and scholars in the reception of Classical Studies. Each volume will explore the appropriation, reconceptualization and recontextualization of various aspects of the Graeco-Roman world and its culture, looking at the impact of the ancient world on modernity. Research will also cover reception within antiquity, the theory and practice of translation, and reception theory.
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Produktdetaljer

ISBN
9781350419094
Publisert
2025-08-07
Utgiver
Bloomsbury Publishing PLC
Vekt
500 gr
Høyde
232 mm
Bredde
164 mm
Dybde
18 mm
Aldersnivå
P, UP, 06, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
248

Redaktør

Biografisk notat

Emma Cole is Senior Lecturer in Drama and Australian Research Council's (ARC) Discovery Early Career Researcher Award (DECRA) Senior Research Fellow at the University of Queensland, Australia. A classicist and theatre historian, she specialises in Greek tragedy in contemporary theatre. She is author of Punchdrunk on the Classics (2024) and Postdramatic Tragedies (2020).