Founded in the final years of the Enlightenment, the Louvre--with the greatest collection of Old Master paintings and antique sculpture assembled under one roof--became the model for all state art museums subsequently established. Andrew McClellan chronicles the formation of this great museum from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire. More than a narrative history, McClellan's account explores the ideological underpinnings, pedagogic aims, and aesthetic criteria of the Louvre. Drawing on new archival materials, McClellan also illuminates the art world of eighteenth-century Paris.
Les mer
Founded in the final years of the Enlightenment, the Louvre became the model for all state art museums subsequently established. This text chronicles the formation of the museum from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire.
Les mer
List of Illustrations Acknowledgments Introduction I The Luxembourg Gallery, I750-79 2 D' Angiviller's Louvre Project 3 The Revolutionary Louvre 4 The Musee Central des Arts 5 Alexandre Lenoir and the Museum of French Monuments Conclusion Appendix I Arrangement of Paintings in the Luxembourg Gallery, I750 Appendix II D' Angiviller's Grands Hommes of France, by Salon Appendix III Partial Reconstruction of the Hanging Scheme at the Musee Central des Arts in I797-8 Abbreviations Used in Notes Notes Bibliography Photographic Credits Index
Les mer

Produktdetaljer

ISBN
9780520221765
Publisert
1999-10-26
Utgiver
Vendor
University of California Press
Vekt
499 gr
Høyde
229 mm
Bredde
152 mm
Dybde
18 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Forfatter

Biographical note

Andrew McClellan is Associate Professor and Chair in the Department of Art and Art History at Tufts University.