Spanning almost ten years and embracing a remarkable range of style and subject matter, this third volume of Churchill's Collected Plays, introduced by the author, contains:
Icecream - an unsettling look at British attitudes to America, and vice versa
Mad Forest - Churchill's response to the Romanian Revolution
The Skriker - a 'spellbinding' piece combining English folk tales with modern urban life
Thyestes - a 'bleakly eloquent new translation of Seneca's Roman tragedy' (Sunday Times).
Plus two collaborative pieces combining word and dance:
Lives of the Great Poisoners - a libretto to music by Orlando Gough and choreography by Ian Spink
A Mouthful of Birds - written with David Lan
Caryl Churchill has been hailed as 'a dramatist who must surely be amongst the best half-dozen now writing' The Times
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<p>Spanning almost ten years and embracing a remarkable range of style and subject matter, this is the third volume of Churchill's Collected Plays,</p>
Biographical note
Caryl Churchill is a leading playwright who has written widely for the stage, television and radio.
Her stage plays include: Owners (Royal Court Theatre, London, 1972); Objections to Sex and Violence (Royal Court, 1975); Light Shining in Buckinghamshire (Joint Stock, 1976); Vinegar Tom (Monstrous Regiment, 1976); Traps (Royal Court, 1977); Cloud Nine (Joint Stock, 1979); Three More Sleepless Nights (Soho Poly and Royal Court, 1980); Top Girls (Royal Court, 1982); Fen (Joint Stock, 1983); Softcops (RSC, 1984); A Mouthful of Birds with David Lan (Joint Stock, 1986); Serious Money (Royal Court and Wyndham's, London, then Public Theater, New York, 1987); Icecream (Royal Court, 1989); Mad Forest (Central School of Speech and Drama, then Royal Court, 1990); Lives of the Great Poisoners with Orlando Gough and Ian Spink (Second Stride, 1991); The Skriker (Royal National Theatre, 1994); Thyestes translated from Seneca (Royal Court, 1994); Hotel with Orlando Gough and Ian Spink (Second Stride, 1997); This is a Chair (Royal Court, 1997); Blue Heart (Joint Stock, 1997); Far Away (Royal Court, 2000, and Albery, London, 2001, then New York Theatre Workshop, 2002); A Number (Royal Court, 2002, then New York Theatre Workshop, 2004); A Dream Play after Strindberg (Royal National Theatre, 2005); Drunk Enough to Say I Love You? (Royal Court, 2006, then Public Theater, New York, 2008); Bliss, translated from Olivier Choinière (Royal Court, 2008); Seven Jewish Children – a play for Gaza (Royal Court, 2009); Love and Information (Royal Court, 2012); Ding Dong the Wicked (Royal Court, 2012); Here We Go (National Theatre, 2015); Escaped Alone (Royal Court, 2016), Pigs and Dogs (Royal Court, 2016), Glass. Kill. Bluebeard. Imp. (Royal Court, 2019) and What If If Only (Royal Court, 2021).