Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. 'I have quite changed my mind. I am going to run away and become a boy.'In these three stories, written by Djuna Barnes under the pseudonym Lydia Steptoe, three characters find themselves on the brink of a sexual awakening - accompanied by guns, whips, and worldly innuendo.A fourteen-year-old girl plans to become 'a virago', until her mother intercepts her first tryst by dressing up as her male lover. A boy of the same age is lured into the forest by his father's mistress. A woman of forty falls in love and longs to kill herself, so unbearable is the return of the youth she thought she wanted. 'Alice', she tells herself, 'be a man.'Barnes makes gender and desire seem slippery and joyful - and makes the fictional Lydia Steptoe seem like a writer for our time.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.
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Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles.
Faber 90th Stories brings together some of our finest short stories, past, present and future.

Produktdetaljer

ISBN
9780571352470
Publisert
2019-01-03
Utgiver
Vendor
Faber & Faber
Vekt
40 gr
Høyde
160 mm
Bredde
111 mm
Dybde
3 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
48

Forfatter

Biographical note

Djuna Barnes was born in 1892 in Cornwall-on-Hudson in New York State. In 1912 she enrolled as a student at Pratt Institute and then at the Art Students' League, and while she was there she started to work as a reporter and illustrator for the Brooklyn Eagle. In 1921 she moved to Paris, where she lived for almost twenty years and wrote for such publications as Vanity Fair and The New Yorker. Nightwood, written in 1936, was her second novel. It is now considered a masterpiece, praised by T. S. Eliot for its 'great achievement of a style, the beauty of phrasing, the brilliance of wit and characterization, and a quality of horror and doom very nearly related to that of Elizabethan tragedy'. Her other works include A Book, a collection of short stories, poems and one-act plays; a satirical novel, Ladies Almanack; and a verse play, The Antiphon. She died in New York in 1982.