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Biografisk notat
In 1978, Haruki Murakami was twenty-nine and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers' award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, that turned Murakami from a writer into a phenomenon. In works such as The Wind-Up Bird Chronicle, 1Q84, What I Talk About When I Talk About Running and Men Without Women, Murakami's distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring his place as one of the world's most acclaimed and well-loved writers.A surreal and fractured dose of storytelling that only Murakami cold write.
- Graham Morrison, five stars, Linux Voice
A surreal and fractured dose of storytelling that only Murakami cold write.
- Graham Morrison, five stars, Linux Voice
It’s pure, uncut Murakami.
Business Insider
Murakami's magnum opus
Japan Times
<b><i>1Q84 </i>has a range and sophistication that surpasses anything else in his oeuvre. It is his most achieved novel; an epic in which form and content are neatly aligned</b>... So like Murakami himself, I'll borrow from Orwell: <i>1Q84 </i>is quite simply doubleplusgood
Independent on Sunday
<i>1Q84 </i><b>reads like a cross between Stieg Larsson and Roberto Bolaño</b>... In its bones, this novel is a thriller
Daily Telegraph
A surreal twist on the formula of David Nicholl's <i>One Day</i>; fate preventing two soulmates from getting together from getting together for decades... Stieg Larsson enthusiasts may enjoy the novel too as Aomame could be Lisbeth Salander's Japanese cousin... What makes Murakami cool as well as popular is has metaphysical mischievousness, his playing around with the idea of alternate realities... <b>Every time you open <i>1Q84</i>, you get the sensation of falling down the rabbit hole, into a unique and addictive world</b>
Sunday Express
<b><i>1Q84 </i>is an extraordinary feat of sustained imagination</b>
Evening Standard
<b>[One of]<i> </i>.. the best books to really get your teeth into this winter... </b>Part thriller, part love story, the first print run sold out in one day in the author's native Japan
Grazia
A whole host of Murakami icons from talking cats to one-way portals all contribute to this rich and often perplexing mix. But ultimately, <i>1Q84</i> is a simple love story that ends on a metaphysical cliff-hanger...<b> a delicious paranormal stew</b>
Independent on Sunday
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Read this imaginative masterpiece from the internationally bestselling author of Norwegian Wood
The year is 1984. Aomame sits in a taxi on the expressway in Tokyo.
Her work is not the kind which can be discussed in public but she is in a hurry to carry out an assignment and, with the traffic at a stand-still, the driver proposes a solution. She agrees, but as a result of her actions starts to feel increasingly detached from the real world. She has been on a top-secret mission, and her next job will lead her to encounter the apparently superhuman founder of a religious cult.
Meanwhile, Tengo wishes to become a writer. He inadvertently becomes involved in a strange affair surrounding a literary prize to which a mysterious seventeen-year-old girl has submitted her remarkable first novel. It seems to be based on her own experiences and moves readers in unusual ways. Can her story really be true?
Both Aomame and Tengo notice that the world has grown strange; both realise that they are indispensable to each other. While their stories influence one another, at times by accident and at times intentionally, the two come closer and closer to intertwining.
'It is a work of maddening brilliance and gripping originality, deceptively casual in style, but vibrating with wit, intellect and ambition' The Times
The year is 1Q84.
This is the real world, there is no doubt about that.
But in this world, there are two moons in the sky.
In this world, the fates of two people, Tengo and Aomame, are closely intertwined. And in this world, there seems no way to save them both.