Horie weaves fables out of everyday existence in these three captivating tales of relationships and lives revisited... across these ruminative stories, Horie suddenly drops in moments of piercing wisdom and revelation, revealing that, for better or worse, there is no escape from one's memory
Publishers Weekly
A treat
The Straits Times
It is a rather beautiful, very funny, often bitter or sadly gentle book that will entice and satisfy while leaving one thirsting for more
Bookanista
Ethereal... Simmers with raw emotional ferocity... Horie uses descriptive imagery in a distanced narrative style. His characters maintain an inner strength and Zen-like independence that wavers under the emotional weight of shared memories, which merge in unexpected ways to convey a yearning for deeper connections
Shelf Awareness (starred review)
Whimsical stories, which celebrate language, friendship and life
Japan Times
Winner of the prestigious Akutagawa Prize, three dream-like tales of memory and war
Visiting a friend in the French countryside, a man finds himself cast into the quandaries of historical whim, religious identity, and seeing without sight; a walk along the seashore, upon the anniversary of a death, becomes a reverie on building sandcastles; and an innocent break-in at the ruins of an archbishop's residence takes a turn towards disaster.
In three stories that prove the unavoidable connections of our past, Toshiyuki Horie creates a haunting world of dreams and memories where everyone ends up where they began - whether they want to or not.
Toshiyuki Horie (born 1964) is a scholar of French literature and a professor at Waseda University. He has won many literary prizes, including the Mishima Yukio Prize, Akutagawa Prize (for The Bear and the Paving Stone), the Kawabata Yasunari Prize, the Tanizaki Jun'ichiro Prize and the Yomiuri Prize for Literature (twice).