Each of these chilling tales arrests you from the opening sentence and leads you - trustingly, thanks to the simple mastery of the story-teller - into a place of gulping fear.

DAILY MAIL

[An] inventive collection . . . brave and astute.

NEW YORK TIMES BOOK REVIEW

Hill's best stories veer away from the well-trodden creep shows and back alleys of genre writing into more dangerous territory: suburban basements, ball fields and schoolyards.

WASHINGTON POST

Se alle

Hill's stories are visceral and nasty in places, but never gratuitous. The collection as a whole is polished and well written. Even the most macabre themes are handled exceptionally well, so one story ever feels exploitative or trashy. Joe Hill is definitely one to watch.

- Ross Sutcliffe, SCI-FI NOW

Fully developed characters with complex emotional lives enhance the 14 stories in Joe Hill's extraordinary collection ... There's not a false note or disappointing effort in this volume.

PUBLISHERS WEEKLY

The collection of short stories ranges from creepy to sweet, with an impressive arsenal of tactics to attack your psyche.

BOSTON GLOBE

[Hill] displays consummate skill in a variety of genres . . . Amusing, moving, horrifying-Ghosts runs the full spectrum.

USA TODAY

Alternately sad, scary, strange and at times even sweet, these tales will haunt you long after you've read them.

PARADE

One of the best [horror] collections of the year. Hill is a relative newcomer who consistently creates creepy, very disturbing stories

LOCUS

The selections range from the mundane to the surreal, with a strong emphasis on the kind of horror tale perfected by Ray Bradbury, Peter Straub and Stephen King.

SAN FRANCISCO CHRONICLE

Hill's stories are visceral and nasty in places, but never gratuitous. The collection as a whole is polished and well written. Even the most macabre themes are handled exceptionally well, so one story ever feels exploitative or trashy. Joe Hill is definitely one to watch.

- SCI-FI NOW, Ross Sutcliffe

Hill's best stories veer away from the well-trodden creep shows and back alleys of genre writing into more dangerous territory: suburban basements, ball fields and schoolyards.

Washington Post

[An] inventive collection . . . brave and astute.

The New York Times Book Review

Fully developed characters with complex emotional lives enhance the 14 stories in Joe Hill's extraordinary collection,20th Century Ghosts. There's not a false note or disappointing effort in this volume.

Publishers Weekly

The collection of short stories ranges from creepy to sweet, with an impressive arsenal of tactics to attack your psyche.

Boston Globe

20th Century Ghosts is Hill's first collection of short stories and displays consummate skill in a variety of genres . . . Amusing, moving, horrifying-Ghosts runs the full spectrum.

USA Today

Alternately sad, scary, strange and at times even sweet, these tales will haunt you long after you've read them.

Parade

[A] lovely, earnest collection of short fiction

Village Voice

One of the best [horror] collections of the year. Hill is a relative newcomer who consistently creates creepy, very disturbing stories

Locus

Each tale is unique, and the collection proves that Hill's talent is not limited to horror, but extends well into the mainstream.

Denver Rocky Mountain News

"[A] new take on the fantasy-horror genre...Highly recommended.

The Sun Herald (Sydney, Australia)

The selections range from the mundane to the surreal, with a strong emphasis on the kind of horror tale perfected by Ray Bradbury, Peter Straub and Stephen King.

San Francisco Chronicle

Each of these chilling tales arrests you from the opening sentence and leads you - trustingly, thanks to the simple mastery of the story-teller - into a place of gulping fear.

Daily Mail

Subtle and disturbing in equal measure.

Coventry Telegraph

Imogene is young, beautiful, kisses like a movie star and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater.

Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with the blood of half a dozen other murdered children. With him, in his subterranean cell, is an antique phone, long since disconnected...but it rings at night, anyway, with calls from the dead...

Meet these and a dozen more, in 20TH CENTURY GHOSTS, irresistible, addictive fun showcasing a dazzling new talent.

Les mer
The film tie-in edition of the award-winning Joe Hill's superb collection of short stories, which includes 'The Black Phone', now a major motion picture.
Hill's stories are visceral and nasty in places, but never gratuitous. The collection as a whole is polished and well written. Even the most macabre themes are handled exceptionally well, so one story ever feels exploitative or trashy. Joe Hill is definitely one to watch. - Ross Sutcliffe - Sci-Fi Now
Les mer

Produktdetaljer

ISBN
9781399600033
Publisert
2022
Utgiver
Orion Publishing Co
Vekt
280 gr
Høyde
196 mm
Bredde
128 mm
Dybde
30 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
400

Forfatter

Biografisk notat

Joe Hill is a Sunday Times bestseller and the #1 New York Times bestselling author of Heart-Shaped Box, The Fireman, and Full Throttle. He won the Eisner Award for Best Writer for his long-running comic book series, Locke & Key, co-created with artist Gabriel Rodriguez. Much of his work has been adapted for movies and television. His second novel, Horns, was translated to film in 2014 and starred Daniel Radcliffe. His third novel, NOS4A2, is now a hit series on AMC, starring Zachary Quinto. The first season of Locke & Key was released on Netflix in early 2020 and became an overnight smash. His story, 'In The Tall Grass'. co-written with Stephen King, was made into a feature for Netflix, and became a mind-bending cult horror sensation. Most recently, Hill has returned to graphic novels -- his latest comics include Basketful of Heads and Plunge for D.C., and Dying is Easy for IDW.