Produktdetaljer
Biografisk notat
Andrew Miller's first novel, Ingenious Pain, was published by Sceptre in 1997. It won the James Tait Black Memorial Prize, the International IMPAC Dublin Literary Award and the Grinzane Cavour Prize for the best foreign novel published in Italy. It has been followed by Casanova, Oxygen, which was shortlisted for the Booker Prize and the Whitbread Novel of the Year Award in 2001, The Optimists, One Morning Like a Bird, Pure, which won the Costa Book of the Year Award in 2011, The Crossing, Now We Shall Be Entirely Free, The Slowworm's Song and The Land in Winter, which won the Winston Graham Historical Prize and the Walter Scott Prize for Historical Fiction, and was shortlisted for the Booker Prize in 2025. Andrew Miller's novels have been published in translation in twenty countries. Born in Bristol in 1960, he currently lives in Somerset.Told in his usual <b>exquisite prose</b>, the story centres on the strangely reticent character of Maud, who leaves the West Country after a tragedy and bravely attempts to single-handedly sail across the Atlantic. You know you're going to like a character when, in the first few pages, she falls 20ft in a boatyard, then gets up and tries to walk. <b>Infused with nautical detail and the cool brine of the sea, this is perfect summer reading</b>
Observer
Told in his usual <b>exquisite prose</b>, the story centres on the strangely reticent character of Maud, who leaves the West Country after a tragedy and bravely attempts to single-handedly sail across the Atlantic. You know you're going to like a character when, in the first few pages, she falls 20ft in a boatyard, then gets up and tries to walk. <b>Infused with nautical detail and the cool brine of the sea, this is perfect summer reading</b>
Observer
<b>We readers have a most fabulous time</b> . . . Maud, and questions about Maud, will linger in your mind long after you close this <b>remarkable </b>novel
Guardian
<b>We readers have a most fabulous time</b> . . . Maud, and questions about Maud, will linger in your mind long after you close this <b>remarkable </b>novel
Guardian
<b>Hypnotic </b>. . . Andrew Miller has a poet's ear but he can also write <b>white-knuckle passages that will leave you winded by towering waves</b>. Most surprising of all, you'll find yourself rooting for Maud as she confronts the limits of her own detachment
Mail on Sunday
<b>Hypnotic </b>. . . Andrew Miller has a poet's ear but he can also write <b>white-knuckle passages that will leave you winded by towering waves</b>. Most surprising of all, you'll find yourself rooting for Maud as she confronts the limits of her own detachment
Mail on Sunday
<b>Visceral and exquisitely written</b> . . . few characters are so neutrally, impassively masterful. In her silence she is magnificent . . . Miller, wisely, hardly analyses Maud. But the portrayal of this practical, disconcerting figure is wildly emotional
Lady
<b>Visceral and exquisitely written</b> . . . few characters are so neutrally, impassively masterful. In her silence she is magnificent . . . Miller, wisely, hardly analyses Maud. But the portrayal of this practical, disconcerting figure is wildly emotional
Lady
Achieves a kind of <b>hallucinatory </b>strangeness, simultaneously intriguing and disturbing
Spectator
Achieves a kind of <b>hallucinatory </b>strangeness, simultaneously intriguing and disturbing
Spectator
Part relationship study, part sailing yarn, <b>this odd yet enthralling book lingers long in the mind</b>
Financial Times
Part relationship study, part sailing yarn, <b>this odd yet enthralling book lingers long in the mind</b>
Financial Times
A beautiful novel; <b>moving, funny, mysterious and compelling</b>. Maud is a stunning creation - <b>a great modern heroine with a pure ancient heart</b>
A beautiful novel; <b>moving, funny, mysterious and compelling</b>. Maud is a stunning creation - <b>a great modern heroine with a pure ancient heart</b>
His structure - perfectly linear yet radically fragmented - tests the extremes to which one character's trajectory can lead, and each half is strangely <b>gripping </b>in very different ways . . . deeply intriguing
Financial Times
His structure - perfectly linear yet radically fragmented - tests the extremes to which one character's trajectory can lead, and each half is strangely <b>gripping </b>in very different ways . . . deeply intriguing
Financial Times
Whether he sets a story in the 18th century or the present, and no matter his subject, [Miller's] prose is <b>highly distinctive</b> in its detached precision. He writes like a scientist, utterly shorn of sentimentality, patient and clear-eyed
New York Times Book Review
Whether he sets a story in the 18th century or the present, and no matter his subject, [Miller's] prose is <b>highly distinctive</b> in its detached precision. He writes like a scientist, utterly shorn of sentimentality, patient and clear-eyed
New York Times Book Review
'ANDREW MILLER'S WRITING IS A SOURCE OF WONDER AND DELIGHT' Hilary Mantel
'ONE OF OUR MOST SKILFUL CHRONICLERS OF THE HUMAN HEART AND MIND' Sunday Times
'Enthralling'
Financial Times
'Remarkable'
Guardian
'Hypnotic'
Mail on Sunday
An extraordinary portrait of modern love and motherhood, the lure of the sea and the unknowability of others, from the critically acclaimed author of Pure
Who else has entered Tim's life the way Maud did? This young woman who fell past him, lay seemingly dead on the ground, then stood and walked. That was where it all began.
As magnetic as she is inscrutable, Maud defies expectations and evades explanation - a daughter, girlfriend and mother who, in the wake of a tragedy, embarks on a dangerous voyage across the Atlantic, not knowing where it will lead . . .