Produktdetaljer
Biografisk notat
Nella Larsen was born Nellie Walker in 1891 in Chicago. Her mother was a Danish immigrant and her father an immigrant from the Danish West Indies. Larsen attended school in all white environments in Chicago until she moved to Nashville to attend high school. Larsen later practiced nursing, and from 1922 to 1926, served as a librarian at the New York Public Library. After resigning from this position, Larsen began her literary career by writing her first novel, Quicksand (1928), which won her the Harmon Foundation’s bronze medal. After the publication of her second novel, Passing (1929), Larsen was awarded the first Guggenheim Fellowship given to an African American woman, establishing her as a premier novelist of the Harlem Renaissance. Nella Larsen died in New York in 1964.
Darryl Pinckney, a longtime contributor to The New York Review of Books, is the author of two novels, Black Deutschland and High Cotton, and two works of nonfiction, Blackballed: The Black Vote and US Democracy and Out There: Mavericks of Black Literature.
Maggie/Malachi Lily is a shapeshifting, black, nonbinary artist and moth from Philadelphia, PA. Seeking to combat our present day cravings for instant gratification and toxic individualism, they create works of art, literature, and programming that resonate spiritual light. They hope their work causes you to want to curl up in the sun and ponder, ideally with a cat.
<p>“Nella Larsen’s <i>Passing</i> is one of those American classics that I’ve always meant to get around to. A new edition is out today from Restless Books, with a handsome cover (and interior illustrations, all by Maggie Lily) and an introduction by the novelist and critic Darryl Pinckney. If I’m going to tackle a classic, I like to have a teacher to help me along the way…. It’s a remarkable book, and Maggie Lily’s dark illustrations end up feeling very appropriate.”</p>
- Rumaan Alam, The New York Times
<p>"<i>Quicksand</i> and <i>Passing</i> are novels I will never forget. They open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating, and indispensable."</p>
- Alice Walker,
<p>“[<i>Passing</i>] is about changing definitions of concepts like race and gender, and the inextricable relationship between whiteness and blackness. It is a meditation on the uneasy dynamic between social obligation and personal freedom. It dramatizes the impossibility of self-invention in a society in which nuance and ambiguity are considered fatal threats to the social order.”</p>
- Emily Bernard, Electric Literature
<p>“I have read and re-read <i>Passing</i> more than a dozen times. Each time I think I can hear Larsen's own voice more clearly: asking, demanding really, that each of us abandon the labels we've been assigned and celebrate the story that we are.”</p>
- Heidi W. Durrow, NPR
<p>“<i>Passing</i> broke literary ground as the story of two racially and sexually ambiguous women written by another. Social boundaries can be permeated, but not without cost."</p>
- Natalie Cate, The Guardian, 1000 novels everyone must read
<p>“Nella Larsen’s <i>Passing</i> is one of those American classics that I’ve always meant to get around to. A new edition is out today from Restless Books, with a handsome cover (and interior illustrations, all by Maggie Lily) and an introduction by the novelist and critic Darryl Pinckney. If I’m going to tackle a classic, I like to have a teacher to help me along the way…. It’s a remarkable book, and Maggie Lily’s dark illustrations end up feeling very appropriate.”</p>
- Rumaan Alam, The New York Times
<p>"<i>Quicksand</i> and <i>Passing</i> are novels I will never forget. They open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating, and indispensable."</p>
- Alice Walker,
<p>“[<i>Passing</i>] is about changing definitions of concepts like race and gender, and the inextricable relationship between whiteness and blackness. It is a meditation on the uneasy dynamic between social obligation and personal freedom. It dramatizes the impossibility of self-invention in a society in which nuance and ambiguity are considered fatal threats to the social order.”</p>
- Emily Bernard, Electric Literature
<p>“I have read and re-read <i>Passing</i> more than a dozen times. Each time I think I can hear Larsen's own voice more clearly: asking, demanding really, that each of us abandon the labels we've been assigned and celebrate the story that we are.”</p>
- Heidi W. Durrow, NPR
<p>“<i>Passing</i> broke literary ground as the story of two racially and sexually ambiguous women written by another. Social boundaries can be permeated, but not without cost."</p>
- Natalie Cate, The Guardian, 1000 novels everyone must read
Produktdetaljer
Biografisk notat
Nella Larsen was born Nellie Walker in 1891 in Chicago. Her mother was a Danish immigrant and her father an immigrant from the Danish West Indies. Larsen attended school in all white environments in Chicago until she moved to Nashville to attend high school. Larsen later practiced nursing, and from 1922 to 1926, served as a librarian at the New York Public Library. After resigning from this position, Larsen began her literary career by writing her first novel, Quicksand (1928), which won her the Harmon Foundation’s bronze medal. After the publication of her second novel, Passing (1929), Larsen was awarded the first Guggenheim Fellowship given to an African American woman, establishing her as a premier novelist of the Harlem Renaissance. Nella Larsen died in New York in 1964.
Darryl Pinckney, a longtime contributor to The New York Review of Books, is the author of two novels, Black Deutschland and High Cotton, and two works of nonfiction, Blackballed: The Black Vote and US Democracy and Out There: Mavericks of Black Literature.
Maggie/Malachi Lily is a shapeshifting, black, nonbinary artist and moth from Philadelphia, PA. Seeking to combat our present day cravings for instant gratification and toxic individualism, they create works of art, literature, and programming that resonate spiritual light. They hope their work causes you to want to curl up in the sun and ponder, ideally with a cat.