Produktdetaljer
Biografisk notat
Andrew Miller's first novel, Ingenious Pain, was published by Sceptre in 1997. It won the James Tait Black Memorial Prize, the International IMPAC Dublin Literary Award and the Grinzane Cavour Prize for the best foreign novel published in Italy. It has been followed by Casanova, Oxygen, which was shortlisted for the Booker Prize and the Whitbread Novel of the Year Award in 2001, The Optimists, One Morning Like a Bird, Pure, which won the Costa Book of the Year Award in 2011, The Crossing, Now We Shall Be Entirely Free, The Slowworm's Song and The Land in Winter, which won the Winston Graham Historical Prize and the Walter Scott Prize for Historical Fiction, and was longlisted for the Booker Prize in 2025. Andrew Miller's novels have been published in translation in twenty countries. Born in Bristol in 1960, he currently lives in Somerset.The theme is handled in a way that is bolder and more exquisitely menacing than anything he's done before . . . <b>It's all real, and all fictional, gorgeously so</b>. You read what might have been a perfectly commonplace story of failure and redemption with your pulse racing, all your senses awake . . . restrained, <b>beautifully written</b>
- Elizabeth Lowry, Guardian
I spent the first half of <i>The Slowworm's Song</i> in a sort of ecstasy, marvelling at Miller's masterful characterisation; his confident evocation of army life and sensitive depiction of the Troubles; the nuanced exploration of alcoholism; the clean, well-made prose style studded with moments of descriptive beauty . . . Stephen is an unforgettable character, and <b>Miller has pulled off the miraculous feat of sketching a full human life in a few hundred pages</b>
- Claire Lowdon, Sunday Times
<b>A beautiful, lambent, timely novel </b>that admits our worst capacities while insisting on accountability and our ability to improve. Andrew Miller is among those brave male writers steering a progressive course. Yet he remains, as ever, unique, visionary, a master at unmasking humanity
Sarah Hall
<b>Gorgeously written </b>. . . it approaches the Troubles from a unique angle . . . Since his debut, <i>Ingenious Pain</i>, Miller has shown a knack for historical immersion, and he continues to excel in it here
- Ethan Croft, Literary Review
The focused interiority of Stephen's narration, together with the slowburning fuse of a plot, make for a quiet intensity that stretches the nerves . . . this <b>empathic and artful </b>novel is about both the mysteries we are to ourselves, and the power of speech
- Stephanie Cross, Daily Mail
A painful yet <b>beautiful </b>novel . . . Miller is a wonderful storyteller, as comfortable writing about the Napoleonic wars as the Troubles . . . In this novel, Stephen's reckoning may be extreme but his message is universal
- Susie Mesure, Spectator
The multiple award-winning author of <i>Pure </i>returns with a <b>tender, compelling and exquisitely written</b> <b>novel of extraordinary power</b> . . . Exploring a brutal chapter in the unhappy and sometimes shameful history of Northern Ireland, this wonderful novel is also a story of atonement and redemption
- Edward Argyle, Daily Express
Miller tackles big themes and weaves a <b>profound and poignant </b>tale about shame, trauma and the possibility of redemption
- Lucy Popescu, Summer Reading, Tablet
Andrew Miller's <b>gentle, beautifully crafted</b> sentences belie the often brutal truths behind the narrative. The image of the slowworm, silent and sinister, finding its way into the precious earth, is set against <b>a song of light and life </b>that won't be silenced
- Victoria Barry, Scotsman
Andrew Miller is one of our finest writers. Few can match his sensitivity of touch, eye for telling detail and acute feel for setting . . . The passages describing Rose's military duty are impeccably researched and <b>viscerally real</b>
- Peter Carty, i
The sections detailing Stephen's army life, and particularly those covering his tour of duty in Belfast, are excellent: <b>immersive in their detail and atmosphere</b> . . . [Miller] has sufficient decorum, talent and sensitivity to do justice to his delicate subject matter
- Rob Doyle, Observer
His evocation of squaddie life rings absolutely true . . . It's <b>deeply moving</b> to see how this self-torturing individual gradually learns that he's surrounded by helpers, often in the unlikeliest of guises, while tiny flowers of grace spring up in stony places
- Suzi Feay, Tablet
There is no easy resolution, and that is why <i>The Slowworm's Song</i> . . . is <b>so affecting</b>. It is about truth, objective or otherwise, and about the attempts of flawed human beings to live with it
- Nicholas Clee, Times Literary Supplement
A poignant and profound tale of a man seeking atonement
- Joanne Finney, Good Housekeeping
A <b>stunning </b>work of fiction, a beautifully written tale of conflict and family fracture . . . <i>The Slowworm's Song</i> is <b>a sublime reminder of how a great novel can have such a deep impact</b>
- Martin Chilton, Independent
<b>Moving and compassionate</b>
Reader's Digest
It's difficult not to be moved by Stephen's heartfelt words as he comes face to face with what happened in that 1982 summer
Belfast Telegraph
<b>It reads truer than memoir </b>. . . A state-of-the-nation novel, in elegiac prose
New York Times Book Review
<b>Expertly paced . . . as taut as a thriller</b> . . . Miller, with his acute eye for detail and his practiced sense of timing, describes these Belfast streets and this soldier's experience so plainly and yet so evocatively that both become new again
Wall Street Journal
A stunning work of fiction, a beautifully written tale of conflict and family fracture . . . <i>The Slowworm's Song</i> is a sublime reminder of how a great novel can have such a deep impact.
- Martin Chilton, Independent
[A] painful yet beautiful novel . . . Miller is a wonderful storyteller, as comfortable writing about the Napoleonic wars as the Troubles . . . Stephen's reckoning may be extreme but his message is universal.
- Susie Mesure, Spectator
Few novelists are as virtuosic and as varied as Andrew Miller . . . Meticulous research, reinforcing the narrative, never swamping it, is another Miller trademark, so it's no surprise that his evocation of squaddie life rings absolutely true . . . It's deeply moving to see how this self-torturing individual gradually learns that he's surrounded by helpers, often in the unlikeliest of guises, while tiny flowers of grace spring up in stony places.
- Suzi Feay, Tablet
Andrew Miller is one of our finest writers. Few can match his sensitivity of touch, eye for telling detail and acute feel for setting . . . The passages describing Rose's military duty are impeccably researched and viscerally real.
- Peter Carty, i
Miller - a much-awarded writer stepping out of his comfort zone of omnisciently narrated historical fiction - has sufficient decorum, talent and sensitivity to do justice to his delicate subject matter.
- Rob Doyle, Observer
A tender, compelling and exquisitely written novel of extraordinary power . . . Written with searing honesty, [Stephen's story] is a confession but, above all, it is a letter of love.
- Edward Argyle, Daily Express
By the Costa Award-winning author of Pure, a profound and tender tale of guilt, a search for atonement and the hard, uncertain work of loving.
'The writing is near perfect. But the novel's excellence goes far beyond this . . . You read [it] . . . with your pulse racing, all your senses awake' Guardian
'A beautiful, lambent, timely novel' Sarah Hall
An ex-soldier and recovering alcoholic living quietly in Somerset, Stephen Rose has just begun to form a bond with the daughter he barely knows when he receives a summons - to an inquiry into an incident during the Troubles in Northern Ireland.
It is the return of what Stephen hoped he had outdistanced. Above all, to testify would jeopardise the fragile relationship with his daughter. And if he loses her, he loses everything.
Instead, he decides to write her an account of his life; a confession, a defence, a love letter. Also a means of buying time. But time is running out, and the day comes when he must face again what happened in that faraway summer of 1982.