In this masterful follow-up to Dreaming the Graphic Novel (2020), Paul Williams illuminates the graphic novel as a form that lives at the borders of various media forms, incorporating aspects of some and rewiring others to create something that is simultaneously new even as it illuminates the media forms of our past.
- Jared Gardner, The Ohio State University,
This book analyses the way that changes in the comics industry, book trade and webcomics distribution have shaped the publication of long-form comics. The US Graphic Novel pays particular attention to how the concept of the graphic novel developed through the twentieth century. Art historians, journalists, and reviewers debated whether it was possible for a comic to be a novel debates that accelerated after the term 'graphic novel' was coined by the comics fan Richard Kyle in 1964. This study underlines the proximity of the graphic novel to other media, showing that this cultural form is not only the meeting place between periodical comics and books, but that graphic novels are in dialogue with films, posters and computer screens.
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Provides a history of US graphic novels from the 1910s to the present.
List of Illustrations Preface
Introduction
1. Precursors and Woodcut Novels: 14 September 1842 to the 1930s
2. Comics, Comics Everywhere at Mid-Century
3. In Search of Adult Comics Readers: 1961–72
4. Declaration of Independents: 1973–9
5. ‘The Comic Book Grows Up’: 1979–91
6. Boom and Bust, Mainstream and Alternative: The 1990s
7. Twenty-First-Century Graphic Novels
Conclusion
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Emphasises the relationship between comics and other media
Produktdetaljer
ISBN
9781474423342
Publisert
2022-09-28
Utgiver
Edinburgh University Press
Høyde
216 mm
Bredde
138 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Forfatter