Gossip was rife in the capital about the poetess of Qazvin. Some claimed she had been arrested for masterminding the murder of the grand Mullah, her uncle. Others echoed her words, and passed her poems from hand to hand. Everyone spoke of her beauty, and her dazzling intelligence. But most alarming to the Shah and the court was how the poetess could read. As her warnings and predictions became prophecies fulfilled, about the assassination of the Shah, the hanging of the Mayor, and the murder of the Grand Vazir, many wondered whether she was not only reading history but writing it as well. Was she herself guilty of the crimes she was foretelling? Set in the world of the Qajar monarchs, mayors, ministers, and mullahs, this book explores the dangerous and at the same time luminous legacy left by a remarkable person. Bahiyyih Nakhjavani offers a gripping tale that is at once a compelling history of a pioneering woman, a story of nineteenth century Iran told from the street level up, and a work that is universally relevant to our times.
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Men died when women began to read.
"Nakhjavani's treatment of the historical figure is not so much to paint her as an eloquent proponent of the nascent faith but to apply her considerable narrative dexterity to an imaginative novel portraying the life and times of a woman with a strong voice in mid-nineteenth-century Iran who dared remove her veil in public and engage men in religious polemic. It is an engrossing story; to this day, Iranian society has not resolved publicly the social and political rights of women, nor has it clarified the status of religious and ethnic minorities."—Gayatri Devi, World Literature Today
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Produktdetaljer

ISBN
9780804793254
Publisert
2015-03-25
Utgiver
Vendor
Stanford University Press
Vekt
522 gr
Høyde
216 mm
Bredde
140 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet

Biographical note

Bahiyyih Nakhjavani grew up in Uganda, was educated in the United Kingdom and the United States, and now lives in France. She is the author of The Saddlebag and Paper as well as non-fiction works about fundamentalism and education. Her novels have been published in French, Italian, Spanish, German, Dutch, Greek, Turkish, Hebrew, Russian, and Korean. She was praised in the Times Literary Supplement as a "superb Persian novelist," and the French translation of The Woman Who Read Too Much was identified, in 2007, as "one of the best three books" of the year.