Steven Spielberg, Martin Scorsese, Francis Ford Coppola, and George Lucas all began their careers making a short film. By contrasting and comparing the differences and similarities between feature films and short films, "Writing Short Films, 2nd Edition", offers readers the essential requirements necessary to make their writing crisp, sharp and compelling. Emphasising characters, structure, dialogue and story, Linda Cowgill dispels the 'magic formula' concept that screenplays can be constructed by anyone with a word processor and a script formatting program. This new edition has been completely updated and revised along with the addition of several new chapters and new film examples. Currently, this title remains the best selling university text book on writing short film screenplays.
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By contrasting and comparing the differences and similarities between feature films and short films, this title aims to offer readers the requirements needed to make their writing crisp, sharp and compelling. It emphasises on characters, structure, dialogue and story, and dispels the 'magic formula' concept.
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Before We Start -- The Principles of Drama; Starting Out -- What's It About?; Character and Emotion -- Who Does What and Why; The Three-Part Nature of Film Structure; Plotting -- The Twists and Turns; Fade In: Openings and the Main Exposition; The Middle -- Keeping the Story Alive; Fade Out: Revelation, Climax and Resolution; Constructing the Scene; Dialogue: The Search for the Perfect Line; The Subtext of Meaning; Keeping Focused: What Does My Protagonist Really Want?; Index.
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Produktdetaljer

ISBN
9781580650632
Publisert
2011
Utgiver
Vendor
Lone Eagle Publishing Co
Vekt
450 gr
Høyde
225 mm
Bredde
167 mm
Dybde
18 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
276

Forfatter

Biographical note

Linda J. Cowgill, author of Writing Short Films and Secrets of Screenplay Structure, currently heads the screenwriting department at the Los Angeles Film School. She has written for film and television, and taught at the American Film Institute, Loyola Marymount University, and the Boston Film Institute. She has presented The Art of Plotting seminar in Los Angeles, New York, and Miami.