Baroque and Rococo Art and Architecture is the first in-depth history of one of the great periods of Western art, spanning the years 1585 to 1785. The text treats the major media-painting, sculpture, drawings, prints, and architecture-as well as gardens, furniture, tapestries, costume, jewelry, and ceramics, all in terms of their original function and patronage and with emphasis on the social, political and cultural context. Organized by country and medium, the book contains biographies of the leading creative figures of the time, from Caravaggio and Rembrandt to Watteau and Hogarth. Significantly, Professor Neuman offers the fullest account to date of women artists and the representation of women and families in art. Additionally, drawing from recent scholarship, the text explores such fields as Spanish polychrome sculpture and Viceregal American painting. Baroque and Rococo Art and Architecture reviews traditional and recent strategies for interpreting artworks. It also traces the dissemination of visual ideas through prints and drawings-the forerunners of today's art reproductions and digital media. In special sections the text raises questions regarding the nature of perception and how artists transfer optical data to the canvas. Artists' techniques, from painting and printmaking to sculpting in marble and casting in bronze, are explained. Analysis of the institutions of art, such as the royal academies, apprenticeship systems, and artists' exhibition rooms, complements an examination of collecting at all levels of society. The book is exceptional in considering issues related to authenticity and the relative value of artworks based on attribution. The illustrations comprise a visual resource of unprecedented quality, with some 450 images reproduced in full color and in a large format that ensures high detail and emphasizes recent conservation efforts. Finally, an extensive glossary introduces seventeenth- and eighteenth-century art terms.
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In this Section: 1) Brief Table of Contents 2) Detailed Table of Contents BRIEF TABLE OF CONTENTS: Chapter 1: The Birth of Baroque Painting in Italy Chapter 2: The Sacred and Secular in Painting in Seventeenth-Century Italy Chapter 3: Italian Baroque Sculpture and the Bel Composto Chapter 4: Baroque Architecture in Italy Chapter 5: The Golden Age of Spain and Viceregal America Chapter 6: The Human Figure in Dutch Seventeenth Century Painting Chapter 7: Picturing Holland in the Dutch Republic's Golden Age Chapter 8: Flemish Baroque Painting in the Age of Rubens Chapter 9: French Painting and Prints of the Seventeenth Century Chapter 10: Baroque Architecture in France and England Chapter 11: French Painting from the Regency to the Reign of Louis XV Chapter 12: The Public and the Private in French Painting of the Enlightenment Chapter 13: French Sculpture and Architecture in the Eighteenth Century Chapter 14: The Georgian Panorama in British Painting and Prints Chapter 15: Architecture and Gardens in Eighteenth-Century Britain Chapter 16: Eighteenth-Century Austria, Germany, and Italy DETAILED TABLE OF CONTENTS: Chapter 1: The Birth of Baroque Painting in Italy Rome Bologna Art for the Counter-Reformation Church Patronage: The Pope and His Cardinals Patronage: Religious Orders and Confraternities Federico Barocci The Carracci Caravaggio Public Religious Commissions Chapter 2: The Sacred and Secular in Painting in Seventeenth-Century Italy Italian Followers of Caravaggio The Bolognese School Guido Reni Domenichino Giovanni Lanfranco Guercino Elisabetta Sirani Bernardo Strozzi and Salvator Rosa Pietro da Cortona Andrea Sacchi Giovanni Battista Gaulli Luca Giordano Andrea Pozzo Chapter 3: Italian Baroque Sculpture and the Bel Composto Patronage: Urban VIII Barberini Stefano Maderno Pietro Bernini Francesco Mochi Gianlorenzo Bernini Francois Duquesnoy Alessandro Algardi Chapter 4: Baroque Architecture in Italy Baroque Architecture in Italy Roman Urbanism under Sixtus V Roman Urbanism under Alexander VII The Church Il Gesu, Rome Francesco Borromini Gianlorenzo Bernini Baldassare Longhena Guarino Guarini Domestic Architecture The Palazzo Interior The Country House Chapter 5: The Golden Age of Spain and Viceregal Spain The Visual Arts An Artist's Life Juan Sanchez Cotan Francisco Ribalta Jusepe de Ribera Francisco de Zurbaran Polychrome Sculpture Diego Velazquez Bartolome Esteban Murillo Juan de Valdes Real Iberian Architecture Latin American Architecture Latin American Painting Chapter 6: The Human Figure in Dutch Seventeenth Century Painting The Utrecht Followers of Caravaggio Frans Hals Judith Leyster Rembrandt Chapter 7: Picturing Holland in the Dutch Republic's Golden Age Pioneers of Dutch Genre Manners and Morals at Mid Century Johannes Vermeer Mirror of Nature: Landscape Visions of the Sea Public and Private Spaces: Architectural Painting Depicting Prosperity: Still Life The Decline of the Golden Age Chapter 8: Flemish Baroque Painting in the Age of Rubens Peter Paul Rubens Anthony van Dyck Jacob Jordaens Still Life: Clara Peeters and Frans Snyders Genre Scenes: Adriaen Brouwer and David Teniers the Younger Chapter 9: French Painting and Prints of the Seventeenth Century Jacques Bellange Jacques Callot Valentin de Boulogne Georges de La Tour Simon Vouet The Le Nain Brothers Philippe de Champaigne Louise Moillon Nicolas Poussin Claude Lorrain Charles Le Brun and the French Academy Chapter 10: Baroque Architecture in France and England France The Place Royale The Hotel The Chateau The Palace The Church England and Inigo Jones Christopher Wren The Radiance of the Sun King Architectural Models Chapter 11: French Painting from the Regency to the Reign of Louis XV Rubenism vs. Poussinism Hyacinthe Rigaud and Nicolas de Largillierre Antoine Watteau Followers of Watteau Francois Boucher Chapter 12: The Public and the Private in French Painting of the Enlightenment Face-Painting at Mid Century Jean Simeon Chardin Jean-Baptiste Greuze Jean-Honore Fragonard Elisabeth-Louise Vigee-Le Brun Chapter 13: French Sculpture and Architecture in the Eighteenth Century Antoine Coysevox Guillaume Coustou I Etienne-Maurice Falconet Jean-Baptiste Pigalle Architecture Perfected The Chateau The Garden Palace The Hotel New Projects for Versailles The Rococo Interior The Place Royale The English Landscape Garden in France Chapter 14: The Georgian Panorama in British Painting and Prints William Hogarth Thomas Gainsborough Richard Wilson Joseph Wright of Derby Sir Joshua Reynolds Constructing Social Identities: George Romney George Stubbs Chapter 15: Architecture and Gardens in Eighteenth-Century Churches The Baroque Country House The Palladian Revival The Gothic Revival City Planning The English Landscape Garden Chapter 16: Eighteenth-Century Austria, Germany, and Italy Architecture in Austria Johann Bernhard Fischer von Erlach Jakob Prandtauer Architecture in Germany Balthasar Neumann Francois de Cuvillies Augustus the Strong German Churches: Neumann and the Zimmermann The Arts in Rome Benedetto Luti Corrado Giaquinto Mariano Rossi Giovanni Paolo Panini and Giovanni Battista Piranesi Architecture in Rome Architecture in Turin Painting in Venice Canaletto Francesco Guardi Roasalba Carriera Pietro Longhi Giovanni Battista Piazetta Giambattista Tiepolo
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"It is updated, far more inclusive than the available texts, and takes a fresh approach to scholarly work." - Victor Coonin, Rhodes College "A well-written and researched book, more thorough than most general textbooks, with good scholarship and good illustrations, student-friendly, and a good basis for lectures." - Jill E. Blondin, The University of Texas at Tyler "The clear formal analysis of each monument, seamlessly incorporated into discussions of iconography, social and historical context, and other conditions of each commission, piece together the grand scenography and aims of Baroque artists and patrons. The text invites the reader to imagine the world in which these works were produced by including carefully researched histories and interpretations." - Lisa Hanes, University of South Florida "A promising new book on the subject, worth looking at." - Jennifer Webb, University of Minnesota "Clearly written and unfolds very logically. It is a pleasure to read and very interesting." - Lisa Rafanelli, Manhattanville College
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Produktdetaljer

ISBN
9780205832262
Publisert
2013-01-15
Utgiver
Vendor
Pearson
Vekt
1210 gr
Høyde
279 mm
Bredde
217 mm
Dybde
19 mm
Aldersnivå
01, 08, G, UF
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
480

Forfatter

Biographical note

Robert Neuman is Professor of Art History at Florida State University, where he specializes in early modern European art and architecture. He received his PhD from the University of Michigan, Ann Arbor. His scholarship ranges widely, encompassing all media including decorative arts, costume, and garden history. In addition to articles, book chapters, and review essays, he is the author of the book, Robert de Cotte and the Perfection of Architecture in Eighteenth-Century France. Several awards, including grants from the French government and the Millard Meiss Fund, have supported his research. Professor Neuman has been recognized for excellence in teaching with three major awards at Florida State.