Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. Many rich traditional practices associated with community, tacit knowledge and culture are being rapidly lost due to globalisation and urbanisation. Yet they have much to offer for the future in terms of sustainability, identity, wellbeing and new opportunities in design. This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Importantly, these are not locked in time by sentimentality and nostalgia but are evolving, innovative, and adaptive to new technologies and changing circumstances. Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value. An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom.
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Editorial Introduction Stuart Walker - Lancaster University, UK Part I Introduction: Culturally Significant Designs, Products and Practices Martyn Evans - Manchester Metropolitan University, UK Chapter 1: Creative Ecologies: Contextualising Culturally Significant Designs, Products and Practices Jeyon Jung and Stuart Walker - Lancaster University, UK Chapter 2: Forging New Futures: Cultural Significance, Revitalisation and Authenticity Amy Twigger Holroyd - Nottingham Trent University, UK Chapter 3: Culturally Significant Artefacts and Their Relationship to Tradition and Sustainability Stuart Walker - Lancaster University, UK Chapter 4: Making and its Cultural Ecological Foundations Patrick Dillon - University of Exeter, UK Part II Introduction: Authenticity and Tradition in Material Culture Amy Twigger Holroyd - Nottingham Trent University, UK Chapter 5: The Aran Jumper Siun Carden - University of the Highlands and Islands, UK Chapter 6: Chok Weaving and Textile Enterprises from Northern Thailand Disaya Chudasri - Lancaster University, UK Chapter 7: Oltu-Stone Prayer Beads: A Journey into the Art of Carving Tasbih Hazal Gumus Ciftci - Lancaster University, UK Chapter 8: The Mian Sara: Traditional Iranian Homes and Sustainability Poone Yazdanpanah and Stuart Walker - Lancaster University, UK Chapter 9: IKEA: Mass-produced National Design Identity Sara S. Kristoffersson - Konstfack University College, Sweden Part III Introduction: Revitalisation by Design Tom Cassidy - University of Leeds, UK Chapter 10: Culture as a Resource for a Sustainable Future in Indigenous Communities: Strengthening Atikamekw Identity and Economics through Design Anne Marchand, Karine Awashish, Christian Coocoo, Solen Roth, Renata Marques Leitao, Cedric Sportes and Caoimhe Isha Beaule - University of Montreal, Canada Chapter 11: Transforming Tradition in Indonesia: A Method for Maintaining Tradition in a Craft and Design Context Adhi Nugraha - Aalto University, Finland Chapter 12: New Translations of South Korean Patterns Meong Jin Shin - University of Leeds, UK Chapter 13: Revitalisation by Design Sebastian Cox - Sebastian Cox Ltd, UK Chapter 14: New Caribbean Design: Revitalising Place-based Products Patty Johnson - Patty Johnson Design, Canada Part IV Introduction: Enterprise, Policy and Education for Positive Development Jeyon Jung - Lancaster University, UK Chapter 15: Sustaining Culturally Significant Designs, Products and Practices: Lessons from the Hohokam Jacques Giard - Arizona State University, USA Chapter 16: Accidents, Intentions, Movements and Makers: Artisan Economy in Portland, Oregon, USA Steven Marotta, Austin Cummins and Charles Heying, Portland State University, USA Chapter 17: The Role of Higher Education in Sustaining Culturally Significant Crafts in Estonia Sirpa Kokko - University of Helsinki, Finland Chapter 18: The Challenge of Intellectual Property Rights for Culturally Significant Patterns, Products and Processes Tom Cassidy and Tracy Diane Cassidy - University of Leeds, UK Chapter 19: The Case of the City Different: The Intersection of the Museum, the Artist and the Marketplace Marsha C. Bol - Carnegie Museum of Natural History, USA Part V Introduction: Design Futures Stuart Walker and Martyn Evans - Lancaster University, UK and Manchester Metropolitan University, UK Chapter 20: Research Approaches for Culturally Significant Design Tom Cassidy - University of Leeds, UK Chapter 21: Digital Transformations, Amateur Making and the Revitalisation of Traditional Textile Crafts Amy Twigger Holroyd - Nottingham Trent University, UK Chapter 22: Design for Social Innovators Anna Meroni and Daniela Selloni - Politechnico di Milano, Italy Chapter 23: Integrated Scales of Design and Production for Sustainability with a Focus on Graduate Design Work in Lighting Cagla Dogan - Middle Eastern Technical University, Turkey Chapter 24: Designing Authentic Brands: How Designerly Approaches can Craft Authentic Brand Identity Emma Murphy - Glasgow School of Art, UK Chapter 25: Strategies for Revitalisation of Culturally Significant Designs, Products and Practices Martyn Evans, Amy Twigger Holroyd, Stuart Walker, Tom Cassidy and Jeyon Jung - Manchester Metropolitan University, UK, Nottingham Trent University, UK, Lancaster University, UK and University of Leeds, UK Endmatter Index
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I savoured each bite-size essay and its ideas until the elephant was consumed. I then sat back and enjoyed the satisfaction of an admirable accomplishment. I would recommend this edited volume to thinking practitioners and researchers looking for inspiration - it is full of ideas worth pursuing. It takes head on a large challenge and offers illumination along a path forward. * Design Journal *Craft has deep roots and heritage but these material skills and ways of working are just as relevant today as they were centuries ago. Critical writing on craft, such as Design Roots, is crucial to ensure it continues to evolve and thrive. * Rosy Greenlees OBE, Executive Director of the Crafts Council, UK *5 / 5 stars Engaging, insightful read for anyone with an interest in traditional craft or sustainable design. This book offers broad appeal to creatives and academics alike, focusing on the cultural significance of traditional craft and the potential for sustainability in a globalising world. Preliminary chapters introduce the key concepts and theoretical foundations of the book in a highly readable style. The cultural significance of designs, products and practices is deconstructed and situated within the context of a globalising world. Despite the apparent homogenisation of culture resulting from economic drivers such as trade, technology and urbanisation, the book charts a resurgence of the traditional, the situated, the local. Crucially, tradition is recognised as perpetually transforming and further, as potentially transformative, offering implications for sustainability in the recreation of a meaningful material culture. Drawing on research from across the world, a series of engaging case studies provide context to the discussion presented in the opening chapters. For example, the revelation of surprising myths surrounding the culturally significant |Aran jumper provide useful insight into the construction of authenticity and tradition and the study of Oltu-stone prayer bead production not only examines reasons for the loss of traditional handicrafts but also the potential for sustainability. Further case studies focus on examples of the revitalisation of culturally significant designs, products and practices. The potential of culture as a resource and design as a tool for sustainable development is examined. Importantly, the role and responsibility of the designer in transforming tradition is deliberated. The following series of case studies included in the book consider the broader context, examining structural factors that support revitalisation through design, detailing contemporary approaches to development. The final section is dedicated to the future, with emphasis on the role of design and the use of contemporary strategies, in the successful revitalisation of culturally significant designs, products and practices. Overall, this book roots well-considered theory in a wealth of relevant, contextual research, offering an engaging, insightful read to anyone with an interest in traditional craft or sustainable design. * Florence J. Logan, www.amazon.co.uk *
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A timely, comprehensive survey of culturally significant designs, products and practices and their positive role in the future of material cultures drawing on a wide range of case studies from around the world.
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Produktdetaljer

ISBN
9781474241809
Publisert
2018-02-08
Utgiver
Vendor
Bloomsbury Academic
Vekt
784 gr
Høyde
244 mm
Bredde
169 mm
Aldersnivå
06, 05, P, U
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
400

Biographical note

Stuart Walker is Professor of Design for Sustainability at Lancaster University, UK. Martyn Evans is Professor of Design at Manchester Metropolitan University, UK. Tom Cassidy is Chair of Design at the University of Leeds, UK. Jeyon Jung is Research Associate at Lancaster University, UK. Amy Twigger Holroyd is Senior Lecturer at Nottingham Trent University, UK.