The Continuum Aesthetics Series looks at the aesthetic questions and issues raised by all major art forms. Stimulating, engaging and accessible, the series offers food for thought not only for students of aesthetics, but also for anyone with an interest in philosophy and the arts. Aesthetics and Music is a fresh and often provocative exploration of the key concepts and arguments in musical aesthetics. It draws on the rich heritage of the subject, while proposing distinctive new ways of thinking about music as an art form. The book looks at: The experience of listening Rhythm and musical movement What modernism has meant for musical aesthetics The relation of music to other 'sound arts' Improvisation and composition as well as more traditional issues in musical aesthetics such as absolute versus programme music and the question of musical formalism. Thinkers discussed range from Pythagoras and Plato to Kant, Nietzsche and Adorno. Areas of music covered include classical, popular and traditional music, and jazz. Aesthetics and Music makes an eloquent case for a humanistic, democratic and genuinely aesthetic conception of music and musical understanding. Anyone interested in what contemporary philosophy has to say about music as an art form will find this thought-provoking and highly enjoyable book required reading.
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Part of "The Continuum Aesthetics" series, this work explores the key concepts and arguments in musical aesthetics. It also looks at: the experience of listening; rhythm and musical movement; what modernism has meant for musical aesthetics; the relation of music to other 'sound arts'; as well as more traditional issues in musical aesthetics.
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1. Aesthetics and music in ancient Greece; 2. The concept of music; 3. The aesthetic of form, the aesthetic of expression, and "Absolute Music": Aesthetics of music in the late 18th and 19th centuries 4. The sound of music; 5. Rhythm and time; 6. Adorno and modernism: Music as autonomous and "social fact" 7. Improvisation and composition.
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'A gifted philosopher, music critic and jazz performer, Andy Hamilton has produced a book which leaves neither the philosophy nor the music out. He guides us deftly through the aesthetics of Kant and Adorno without neglecting the reality of music as sound and rhythm, improvisation and composition, showing in an unusually open-minded, lively way - and in philosophical depth - how aesthetic experience is universal and human.' Professor John Skorupski, St Andrews University, UK
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An engaging but sophisticated look at the debates and ideas involved in the aesthetics of music - part of a major new series from Continuum.
Major new series from Continuum Philosophy
The Bloomsbury Aesthetics series looks at the aesthetic questions and issues raised by all major art forms. Stimulating, engaging and accessible, the series offers food for thought not only for students of aesthetics, but also for anyone with an interest in philosophy and the arts.
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Produktdetaljer

ISBN
9780826485182
Publisert
2007-06-29
Utgiver
Vendor
Continuum International Publishing Group Ltd.
Vekt
420 gr
Høyde
216 mm
Bredde
138 mm
Aldersnivå
P, UP, UU, G, 06, 05, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
258

Forfatter

Biographical note

Andrew Hamilton is Lecturer in Philosophy at the University of Durham, UK.