ERNEST N. EMENYONU is Professor Emeritus of Africana Studies at the University of Michigan-Flint, USA. He is Series Editor of African Literature Today. His publications include A Companion to Chimamanda Ngozi Adichie (2017), Emerging Perspectives on Nawal El Saadawi (2010), and the children's book Uzoechi: A Story of African Childhood (2012). ERNEST N. EMENYONU is Professor Emeritus of Africana Studies at the University of Michigan-Flint, USA. He is Series Editor of African Literature Today. His publications include A Companion to Chimamanda Ngozi Adichie (2017), Emerging Perspectives on Nawal El Saadawi (2010), and the children's book Uzoechi: A Story of African Childhood (2012). LOUISA UCHUM EGBUNIKE is Associate Professor in African and Caribbean Literature, Durham University). She has been guest lecturer to institutions including Wellesley College, The University of the West Indies and The University of Bremen. She has published in journals including African Literature Today and Matatu and has chapters published in edited books including A Companion to Chimamanda Ngozi Adichie. TINASHE MUSHAKAVANHU was a Junior Research Fellow in African and Comparative Literature at the University of Oxford, UK.

ALT 31 Writing Africa in the Short Story: African Literature Today

Emenyonu, Ernest N

Heftet / 2013 / Engelsk

Emenyonu, Ernest N

Heftet / 2013 / Engelsk

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The success of the Caine Prize for African Writing and the growth of online publishing have played key roles in putting the short story in its rightful place within the study and criticism of African literature. African writers have, much more than the critics, recognized the beauty and potency of the short story. Always the least studied in African literature classrooms and the most critically overlooked genre in African literature today, the African short story is now given the attention it deserves. Contributors here take a close look at the African short story to re-define its own peculiar pedigree, chart its trajectory, critique its present state and examineits creative possibilities. They examine how the short story and the novel complement each other, or exist in contradistinction, within the context of culture and politics, history and public memory, legends, myths and folklore. Ernest Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA; the editorial board is composed of scholars from US, UK and African universities Nigeria: HEBN

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Editorial Article - Ernest N. Emenyonu 'Real Africa'/'Which Africa?': the Critique of Mimetic Realism in Chimamanda Ngozi Adichie's Short Fiction - Eve Eisenberg Writing Apartheid: Miriam Tlali's Soweto Stories - Mary Jane Androne Articulations of Home & Muslim Identity in the Short Stories of Leila Aboulela - Lindsey Zanchettin Ugandan Women in Contest with Reality: Mary K. Okurutu's A Woman's Voice & the Women's Future - Iniobong I. Uko Snapshots of the Botswana Nation: Bessie Head's The Collector of Treasures & other Botswana Village Tales as a National Project - Louisa Uchum Egbunike Widowhood: Institutionalized Dead Weight to Personal Identity & Dignity: A Reading of Ifeoma Okoye's The Trial & Other Stories - Regina Okafor Feminist Censure of Marriage in Islamic Societies: A Thematic Analysis of Alifa Rifaat's Short Stories - Juliana Daniels Diaspora Identities in Short Fiction by Chimamanda Ngozi Adichie & Sefi Atta - Rose A. Sackeyfio Exposition of Apartheid South African Violence & Injustice in Alex la Guma's Short Stories - Blessing Diala-Ogamba Locating a Genre: Is Zimbabwe a Short Story Country? - Tinashe Mushakavanhu Mohammed Dib's Short Stories on the Memory of Algeria - Imene Moulati Ama Ata Aidoo's Short Stories: Empowering the African Girl Child - Hellen Roselyne L. Shigali Interview with Ama Ata Aidoo - Maureen N. Eke and Vincent O. Odamtten Reviews - James Gibbs

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