Produktdetaljer
Biografisk notat
Emma Wilson is a reader in contemporary French literature and film at the University of Cambridge and a fellow of Corpus Christi College. Her publications include Alain Resnais and Cinema's Missing Children.
<p>"This persuasive book brings Egoyan's films vibrantly alive, while at the same time offering compelling, intelligent and thought-provoking analysis."<i>Times Higher Education</i></p> "Wilson brings a fresh perspective to Egoyan's work, particularly insofar as gender and sexuality are concerned. Her analysis is elegant, and her writing is beautiful. Required reading for anyone interested in Atom Egoyan."--Judith Mayne, author of <i>Claire Denis</i>
In this study, Emma Wilson closely analyzes the range of Egoyan's films and their visual textures, emotional control, and perverse beauty. Offering a full-scale chronological overview of Egoyan's work on films up to and including Where the Truth Lies, Wilson shows the persistence and development of certain structures and themes in Egoyan's cinema: questions of exile and nostalgia, trauma and healing, the family and sexuality. While drawing on ideas about intercultural cinema, Wilson also sets Egoyan's films in the context of contemporary Canadian cinema and European art-house cinema. Egoyan's own comments on his films thread throughout Wilson's analyses, and the book features a recent interview with the director.
Acknowledgments xiii
ON FOREIGENNESS AND FAMILIES 1
Next of Kin (1984) 12
Family Viewing (1987) 22
Speaking Parts (1989) 34
The Adjuster (1991) 47
Calendar (1993) 61
Exotica (1994) 73
The Sweet Hereafter (1996) 88
Felicia's Journey (1999) 102
Ararat (2002) 115
Where the Truth Lies (2005) 128
INTERVIEW WITH ATOM AGOYAN 137
Filmography 147
Bibliography 153
Index 159
<p>"This persuasive book brings Egoyan's films vibrantly alive, while at the same time offering compelling, intelligent and thought-provoking analysis."<i>Times Higher Education</i></p> "Wilson brings a fresh perspective to Egoyan's work, particularly insofar as gender and sexuality are concerned. Her analysis is elegant, and her writing is beautiful. Required reading for anyone interested in Atom Egoyan."--Judith Mayne, author of <i>Claire Denis</i>
In this study, Emma Wilson closely analyzes the range of Egoyan's films and their visual textures, emotional control, and perverse beauty. Offering a full-scale chronological overview of Egoyan's work on films up to and including Where the Truth Lies, Wilson shows the persistence and development of certain structures and themes in Egoyan's cinema: questions of exile and nostalgia, trauma and healing, the family and sexuality. While drawing on ideas about intercultural cinema, Wilson also sets Egoyan's films in the context of contemporary Canadian cinema and European art-house cinema. Egoyan's own comments on his films thread throughout Wilson's analyses, and the book features a recent interview with the director.
Acknowledgments xiii
ON FOREIGENNESS AND FAMILIES 1
Next of Kin (1984) 12
Family Viewing (1987) 22
Speaking Parts (1989) 34
The Adjuster (1991) 47
Calendar (1993) 61
Exotica (1994) 73
The Sweet Hereafter (1996) 88
Felicia's Journey (1999) 102
Ararat (2002) 115
Where the Truth Lies (2005) 128
INTERVIEW WITH ATOM AGOYAN 137
Filmography 147
Bibliography 153
Index 159