City's subject matter is urban, the technique a blend of the surreal, expressionist, realist and cubist, the whole thing almost cinematic in its abrupt transitions and dislocations… Most of the lineaments of Fisher's mature work are present in City…a remarkable achievement for a writer in his twenties. He sets out to write about an actual city but to "dissolve" its particulars and make them strange, until it becomes as much an inner perceptual field as a post-industrial Midlands wasteland… 'There is no poet alive whose work has challenged or interested me more.
- August Kleinzahler,
Fisher stands outside, or alongside, whatever else is happening, an English late modernist whose experiments tend to come off. He is a poet of the city – his native Birmingham, which he describes as "what I think with". He is a redeemer of the ordinary, often a great artist of the visible… His range is large: he suits both extreme brevity and book-length exploration; his seeming improvisations have a way of turning into architecture. The best place to start is The Long and the Short of It. It might look and sound like nothing on earth at first, but then it becomes indispensable.
- Sean O'Brien, The Guardian
Roy Fisher's The Long and the Short of It: Poems 1955–2010 should be read by anyone with a serious interest in post-war English poetry.
- William Wootten, Times Literary Supplement
I was proud to be able to choose his Selected Poems, The Long and the Short of It... as my book on Desert Island Discs, and I know that I'll be returning to that book over and over again in the next few weeks and months, now that one of the most important inhabitants of the island has gone.
- Ian McMillan, paying tribute to Roy Fisher