Examining the persistence of the Cold War’s massive restructuring of our lifeworld, this fascinating collection provides a series of incisive case studies that explores key sites of interaction between politics, technoscience and various modalities of cultural production since the mid-twentieth century. Taken together, these interlinked microhistories provide both a powerful demonstration of the book’s central thesis regarding the Cold War – the degree to which, even ‘after’, we continue to live within it – and an important resource for the challenge of thinking beyond its legacies.

- Mark Dorrian, Forbes Chair in Architecture, University of Edinburgh,

Connects Cold War material and conceptual technologies to 21st century arts, society and cultureFrom futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we live in a world imagined and engineered during the Cold War. Key FeaturesMakes connections between Cold War material and conceptual technologies, as they relate to the arts, society and cultureDraws on theorists such as Paul Virilio, Jacques Derrida, Luce Irigaray, Friedrich Kittler, Jean Baudrillard, Michel Foucault, Michel Serres, Bernard Stiegler, Peter Sloterdijk and Carl SchmittThe contributors include leading humanities and critical military studies scholars, and practising artists, writers, curators and broadcastersContributorsJohn Beck is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London.Ryan Bishop is Professor of Global Arts and Politics, Director of Research and Co-Director of the Winchester Centre for Global Futures in Art Design & Media at the Winchester School of Art, University of Southampton. Ele Carpenter is a curator and writer, and senior lecturer in MFA Curating and convenor of the Nuclear Culture Research Group at Goldsmiths, University of London. Fabienne Collignon is Lecturer in Contemporary Literature at the University of Sheffield. Mark Cote is Lecturer in Digital Culture and Society at King's College London.Daniel Grausam is Lecturer in the Department of English at Durham University. Ken Hollings is a writer and broadcaster, visiting tutor at the Royal College of Art and Associate Lecturer at Central Saint Martins School of Art and Design. Adrian Mackenzie is Professor of Technological Cultures at Lancaster University. Jussi Parikka is a media theorist and writer, and Professor of Technological Culture and Aesthetics at Winchester School of Art, University of Southampton. John W. P. Phillips is Associate Professor in the Department of English at the National University of Singapore. Adam Piette is Professor of English at the University of Sheffield. James Purdon is Lecturer in Modern and Contemporary Literature at the University of St Andrews.Aura Satz is an artist and Moving Image Tutor at the Royal College of Art.Neal White is an artist and Professor of Media Art at the Faculty of Media and Communication, Bournemouth University.
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Drawing on theorists such as Jean Baudrillard, Jacques Derrida, Michel Foucault, Luce Irigaray, Friedrich Kittler, Michel Serres, Peter Sloterdijk, Carl Schmitt, Bernard Stiegler and Paul Virilio this collection makes connections between Cold War material and conceptual technologies, as they relate to the arts, society and culture.
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List of FiguresSeries Editors’ PrefaceAcknowledgementsNotes on Contributors Introduction: The Long Cold WarJohn Beck and Ryan Bishop Part I: Pattern Recognition 1. The Future: RAND, Brand and Dangerous to KnowJohn Beck 2. Simulate, Optimise, Partition: Algorithmic Diagrams of Pattern Recognition from 1953 OnwardsAdrian Mackenzie 3. Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual ArtsAura Satz and Jussi Parikka Part II: The Persistence of the Nuclear 4. The Meaning of Monte BelloJames Purdon 5. Deep Geological Disposal and Radioactive Time: Beckett, Bowen, Nirex and OnkaloAdam Piette 6. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear ModernityEle Carpenter 7. Alchemical Transformations? Fictions of the Nuclear State after 1989Daniel Grausam Part III: Ubiquitous Surveillance 8. ‘The Very Form of Perverse Artificial Societies’: The Unstable Emergence of the Network Family from its Cold War Nuclear BunkerKen Hollings 9. The Signal-Haunted Cold War: Persistence of the SIGINT OntologyJussi Parikka 10. ‘Bulk Surveillance’, or The Elegant Technicities of MetadataMark Coté Part IV: Pervasive Mediations 11. Notes from the Underground: Microwaves, Backbones, Party Lines and the Post Office TowerJohn W. P. Phillips 12. Insect Technics: War Vision MachinesFabienne Collignon 13. Overt ResearchNeal White and John Beck 14. Smart Dust and Remote Sensing: The Political Subject in Autonomous SystemsRyan Bishop Index
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Makes connections between Cold War material and conceptual technologies, as they relate to the arts, society and culture

Produktdetaljer

ISBN
9781474432245
Publisert
2018-02-22
Utgiver
Edinburgh University Press
Vekt
486 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
320

Biografisk notat

John Beck is Professor of Modern Literature at the University of Westminster. He has published widely on American cultural politics and intellectual history in relation to literature, art and visual culture. Books include Landscape as Weapon: Cultures of Exhaustion and Refusal (2021), Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde (co-authored with Ryan Bishop, 2020), and Dirty Wars: Landscape, Power and Waste in Western American Literature (2009). Ryan Bishop is Professor of Global Arts and Politics and Co-director of the research group Archaeologies of Media and Technology at the Winchester School of Art, University of Southampton, United Kingdom. He co-edits the journal Cultural Politics (Duke UP), and is a series editor for Technicities (Edinburgh University Press) and Cultural Politics (Duke UP).